Author Archives: Karina

About Karina

Author living in Cape Town.

You Make Me Possible reviewed on LitNet

btr“Biography lovers may despair that the internet is making it improbable that biographers will still discover old, forgotten letters in dusty attics, revealing juicy secrets about celebrities. It still remains a problem when writers discard electronic records of their correspondence, but this book proves that emails can be every bit as romantic as old-fashioned letters, and all the more immediate.”

— Elkarien Fourie

Read the entire review here: LitNet.

Review: Nasty Women Talk back – Feminist Essays on the Global Women’s Marches, edited by Joy Watson and Amanda Gouws

Nasty Women Talk Back

Most of us despair, but publishers around the world are probably laughing all the way to the bank because of Donald Trump. The president of the United States might not be good for anything else, but he is certainly great for the book business. I can no longer count the titles I have come across recently, written in reaction to the innumerable atrocities – in words and deeds – committed by the man.

Nasty Women Talk Back: Feminist Essays on the Global Women’s Marches, published in South Africa but with contributions by women from around the world, is a collection documenting diverse responses to Trump’s campaign, his election, and the ensuing Women Marches organised in protest to Trump’s presidency.

In the introduction to the book, the editors talk about a period of “deep mourning” many of us have been experiencing since November 2016. It is not to be underestimated. Having Trump in power has not only exposed numerous vulnerabilities we experience in our everyday, but also reversed progress already gained in areas of gender rights and equality.

The twenty-five essays and three poems included in Nasty Women Talk Back are an attempt “to put pen to paper and show fervour for ongoing feminist activism”. Reading the individual pieces, I also felt inspired. Ranging from academic comments to deeply personal stories, all the essays are illustrated. The texts and images refer to the striking signs participants of the Women Marches carried during the protests.

“My arms are tired from holding this sign since the 1960s”, reads one of the signs, but as Rebecca Davis points out: “We may be tired, but we cannot afford to shut up.” Books like Nasty Women Talk Back allow us to counter the violence of silencing and to find solidarity in a common cause.

Nasty Women Talk Back: Feminist Essays on the Global Women’s Marches

Edited by Joy Watson & Amanda Gouws

Imbali Academic Publishers, 2018

Review first published in the Cape Times on 22 February 2019.

CREATIVE WRITING MENTORSHIP OPPORTUNITY WITH KAREN JENNINGS

Karen JenningsKaren Jennings is a South African, married to a Brazilian, and in September of 2015, due to various circumstances, they were compelled to move from South Africa to Brazil. It has been a challenging and difficult time for Karen. Perhaps most difficult has been feeling removed from the country of her birth, a place that she loves and had hoped always to be part of. This year she started to look at her life and consider how she could realistically be involved in the future of her country, in even the smallest of ways, at the distance and without the benefit of any sort of income to assist her. She was inspired by the organisers of Short Story Day Africa and Writivism who work incredibly hard to bring opportunities to African writers. With this in mind, she has decided to offer a mentorship/writing course to an aspiring writer for a period of 12 weeks, starting on 1 April 2019.

For more details click here: CREATIVE WRITING MENTORSHIP OPPORTUNITY WITH KAREN JENNINGS

And here are two of my reviews of Karen Jennings’s work:

Travels with My Father – An Autobiographical Novel by Karen Jennings

Space Inhabited by Echoes by Karen Jennings

If you are an aspiring writer, please apply. This is a rare opportunity to work with someone who is passionate about what we do and who truly cares.

 

Richard III at Maynardville

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Literature in motion; an art form difficult to resist. I could never imagine being on stage, but I love sitting in the audience, suspending my disbelief, living and breathing the action unfolding before my eyes.

Theatre.

I prefer sitting in the first row. Small venues are my favourite. Done well, it is pure magic. It transforms.

I go regularly, often twice or thrice to see the same performance – to relive the wonder. I study the texts at home. Not many enjoy reading plays; I delight in them.

A while back, I wrote one. It even won an award. The prize money bought me a gorgeous, wine-red quilt. Last night, I was tempted to take it with me to Maynardville to the opening of Richard III, with Alan Committie in the main role. But the action-packed play and a Shiraz in the interval kept me all cosy and warm.

‘Why, I can smile, and murder while I smile…’

And he does. Smile, murder, seduce. Vanquish. Fall. The vicious circles of power.

The open-air theatre is the perfect setting for the play, the southeaster a willing contributor with uncanny timing. Tall trees haunt the stage. The simple props and the understated elegance of the costume design enhance the superb performances of the entire cast.

Cassandra Mapanda as Queen Elizabeth stood out for me. A true royal presence on stage. But nobody and nothing disappointed.

Shakespeare has never been easy for me. And Richard III was new despite my education and love for the theatre. Yet I never felt lost. As one head after another is impaled and hearts are conquered and torn apart, we are transported into the distant past that has a lot to teach us about our own times, our greed and disenchantment.

I will see it again before the run is over.

Richard III is on until 9 March; Wednesday to Saturday, at 8.15pm. Don’t miss it!

 

Announcing: The Philida Literary Award

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Today is the fourth anniversary of André Brink’s death. As we – his readers and loved ones – remember André, I would like to share the news that from next year on there will be a literary award given in André’s honour. The award will be named after a historical figure, the slave woman Philida van de Caab who entered the archival records because of laying an official complaint against her masters, Francois and Cornelius Brink, distant relatives of André’s. She became the protagonist of André’s last published novel, Philida (2012). André’s rendition of her courage and resilience continues to inspire me – and many others – as a woman and a writer.

As I wrote in the Note on my latest publication, You Make Me Possible: The Love Letter of Karina M. Szczurek and André Brink (Protea Book House, 2018), with André’s encouragement and support I was able to acknowledge the fact that I was a writer and that this would be forever my way of being in the world. He was an inspiration to many other writers and he was always generous with his time and expertise in furthering the literary careers of others. It is therefore my wish to establish The Philida Literary Award with the royalties from You Make Me Possible.

The Philida Literary Award will be awarded to a writer mid-career for an oeuvre of between three to five books of any genre. The idea behind the recognition is to acknowledge an author with a consistent record of publishing works of excellence and to encourage them further in their pursuit of a literary career. The award ceremony will take place annually on the anniversary of André’s death, 6 February, starting with the fifth anniversary in 2020. Thus, locally, it will be the first literary award given every year.

Four other judges who are immersed in the local literary community will join me each year in choosing a worthy winner. Each winner will be given an award certificate and an amount of money that will be at first determined by the royalties, and in future on funding which is in the process of being secured.

Picture above: Fragment from the cover illustration of Philida by Joe McLaren.

Thank you to Rachel Zadok, the founder of Short Story Day Africa, for inspiring the ideas behind the criteria of the award.

Review: Somewhere in Between by Niki Malherbe

Somewhere in BetweenHow to be a feminist? What does it mean to be a good parent, especially a good mother? What is success? What is justice and how does it relate to ethics? How can reading and writing help with the answers to these, and other, vital questions? Somewhere in Between is Niki Malherbe’s attempt at resolving some of these conundrums in the context of her own life. She dedicates her book “To all women who try hard to get the balance right and all the men who do too”.

Malherbe is also the author of From Courtrooms to Cupcakes. In Somewhere in Between, she continues the themes of her debut, trying to reconcile her private and professional aspirations. Her background is in law. She is a wife and a mother of four. Writing is her enduring passion. She is an avid reader, and it is the writers who intrigue her, along with her family’s experiences, that fuel her literary pursuits. Somewhere in Between is part diary, part memoir, part essay; throughout, Malherbe comments on the authors she turns to when seeking guidance or comfort. Writing a book is like having a relative in jail, she says: “You don’t want to admit it but it’s very tricky to hide.”

Oscar Pistorius is no relation to the author, but she is writing at the time of his trial. As she watches the proceedings, she approaches the case not only through the lens of her legal training and feminism, but also from the perspective of a mother.

Malherbe tries to narrow and unpick the ambiguities she encounters on her path. Like most of us, she has her blind spots: occasionally dismissing her own writing as “frivolous” and her thinking as “trivial” – whereas she wants to and should be taken seriously; or, probably unconsciously, using terminology that undermines her feminist perspective; and often leaving the women who, willingly or not, never become mothers out of her considerations. However, to her credit, she does not settle for any easy, sloppy answer. And, many of the conflicts she describes remain unresolved, despite her attempt to tackle them head-on. For some, only approximations are possible; there simply are no straightforward solutions.

There were moments in the book where I wished Malherbe had dared more, especially when the narrative becomes self-reflective, but what she already reveals – especially her doubts, anxiety and envy – is extremely courageous and her pursuit of truth and understanding deserves not only applause but close examination. Somewhere in Between opens up many conversations we could all profit from taking further. Along with Mary Pipher, Malherbe believes that: “Using words, writers have the opportunity to bring justice and make their own mark on the world.” That is the incalculable power of storytelling and we can do much worse than endeavour to make sense of the world and find what gives meaning to our existence.

Somewhere in Between

by Niki Malherbe

2018

Review first published in the Cape Times on 1 February 2019.

Review: These Bones Will Rise Again by Panashe Chigumadzi

these bones will rise againIn November 2017, the “coup that was not a coup” in Zimbabwe held the world’s attention as the seemingly impossible became reality: after decades of rule, Robert Mugabe was ousted from power. These Bones Will Rise Again by Zimbabwean-born journalist and novelist, Panashe Chigumadzi, is an incisive exploration of these events and the author’s personal response to the historical moment as it unfolds as well as the past that shaped it: “The struggles over history are complex, because the present continuously slips into the past, marking history as always ambivalent, incomplete, a work in progress.”

Chigumadzi interrogates the way we remember. She is acutely aware of language and storytelling as a way of preserving memory and belonging. “In search of those answers, I must lower my eyes from the heights of Big Men who have created a history that does not know little people, let alone little women, except as cannon fodder”, she writes and decides to listen closely to what the bones of her female ancestors have to tell and teach her about her own life and that of an entire nation.

Reading other black women, she confronts “the unflinching stories of our mothers and grandmothers and aunts and sisters” and wonders for the first time “what did it mean for a black woman to be in my grandmother’s time?” She interviews the women in her family who are still alive and mourns the ones who had passed away too soon. Those who “refused their place in time” are returned to history.

Growing up between Zimbabwe and South Africa offers Chigumadzi a fascinating perspective. I am writing this review during the social media shutdown in Zimbabwe. It is voices like Chigumadzi’s that guide us through times of uncertainty. These Bones Will Rise Again is an inspiration.

These Bones Will Rise Again

by Panashe Chigumadzi

Jacana, 2018

Review first published in the Cape Times on 25 January 2019.

Review: Vintage Love and Other Essays by Jolyon Nuttall

vintage loveA few years ago, after the death of his wife, Jolyon Nuttall joined his daughter and her family during a work visit at Harvard University in Cambridge, Massachusetts, in the United States. There, in a bookshop, he rediscovered the essay as a literary form and specifically fell under the spell of George Orwell’s essayistic endeavours. A newspaper man through and through, Nuttall has made a life out of words, as a journalist and a media manager. Retired now, he decided to turn to “episodes in my life that stand out in memory” and explore his past through the medium of the essay.

The resulting collection, Vintage Love and Other Essays, elegantly published in a hardcover edition by Jacana, tells a few key episodes in a rich life of growing up during the turbulent time in South Africa’s more recent history, of travel and intellectual exchange, of managing some of the most influential local media, and of trying to pick up the pieces after a great loss. As a literary scholar, I found Nuttall’s recollections of the two famous writers, Alan Paton and Lewis Nkosi, particularly intriguing.

“Writing these essays has helped enormously to reintegrate myself into my life as a whole from childhood through adulthood towards old age”, says Nuttall. The experience filled him “at times with a headiness that is light-hearted.” Vintage Love captures the essence of a life well lived and exude a calm that is rare in South African life writing.

Vintage Love and Other Essays

by Jolyon Nuttall

Jacana, 2018

Review first published in the Cape Times on 25 January 2019.

Review: Intruders by Mohale Mashigo

intrudersMohale Mashigo is a well-known musician who debuted two years ago as an author with the best-selling and award-wining novel, The Yearning. Since then, she has adapted a movie for a young adult novel, Beyond the River, and co-written comic books for the Kwezi series. Intruders is her first short story collection.

In her author’s note, Mashigo dedicates the stories “for the weird, the wonderful … and us, who never see ourselves in the stars but die in seas searching for them.” Before we are allowed to jump into the extraordinary stories of this volume, Mashigo offers us a thought-provoking essay on Afrofuturism: “What I want for Africans living in Africa is to imagine a future in their storytelling that deals with issues that are unique to us”, she writes and encourages writers on the continent to engage in a “project that predicts (it is fiction after all) Africa’s future ‘post-colonialism’; this will be divergent for each country on the continent because colonialism (and apartheid) affected us in unique (but sometimes similar) ways.”

Mashigo’s own stories shine the light as she lets her imagination explore these future territories. A young woman has to deal with the consequences of her actions when she discovers her family’s legacy and their connection to the sea in Manoka. A mother disappears and leaves a long letter with instructions for her fifteen-year-old child to follow into safety and to find family members who will be able to assist with her own challenging inheritance in Nthatisi. When people’s hearts are extracted and those responsible are burned by vigilantes, Koketso tries to save his friend Steven against all odds in Ghost Strain N. Café Ferdi in The Palermo is a place where you agree to having your memories stolen when you enter: “The only way to access those memories was to come back and have them play out like a movie in front of you.” Two orphans hunt monsters in BnB in Bloem and a woman kills a man with her shoe and grows wings in The High Heel Killer. An unlikely couple set up a home in an abandoned zoo with guinea fowls and pigs in Once Upon a Town. The three stories Untitled I to III take more unexpected twists and turns.

Synonyms for ‘intruders’ are listed at the back of the collection’s cover: “trespassers, interlopers, invaders, prowlers, infiltrators, encroachers, violators” – the characters in Mashigo’s stories are all of these and more. They might be werewolves, mermaids, apocalypse survivors or vampires, but they also feel familiar as their author taps into emotional worlds which are common to most of us.

Intruders is story-telling at its most eclectic: Mashigo challenges us to be “fantastical” – as in “conceived or appearing as if conceived by an unrestrained imagination; odd and remarkable; bizarre; grotesque” – and “to remain true to ourselves.” The resulting collection lives up to its remarkable promise.

Intruders

by Mohale Mashigo

Picador Africa, 2018

Review first published in the Cape Times on 4 January 2019.

Review: The Lion’s Binding Oath and Other Stories by Ahmed Ismail Yusuf

btrhdrWritten over many years, the short stories included in Ahmed Ismail Yusuf’s debut collection have a mythical quality to them and tell a tale of a people searching to find peace in a time of turmoil. Yusuf grew up as a nomad in his native Somalia and relocated to the United States where he still lives and where he discovered his love for books and storytelling.

Set during the years preceding and spanning the civil war in Somalia, the individual stories in The Lion’s Binding Oath and Other Stories are deceptively simple in structure, but read together as a whole, they reveal a rich mosaic of voices and lives that are at once of a different time and place and yet strikingly familiar.

The opening story, A Slow Moving Night, explores the ties of a rural family through the eyes of a boy shepherd. The five stories of The Mayxaano Chronicles focus on the life and influence of a remarkable woman in the time of war and peace. Old legends allow a young man to survive hardship and find a way back to his people in the titular story.

Broad socio-political and religious themes form the background to Yusuf’s stories about ordinary people who would otherwise remain anonymous in official histories. It is exciting that, among a growing list of other intriguing title from across the continent, the American Catalyst Press is now making these stories available to our local reading public in The Lion’s Binding Oath and Other Stories.

The Lion’s Binding Oath and Other Stories

by Ahmed Ismail Yusuf

Catalyst Press, 2018

Review first published in the Cape Times on 28 December 2018.