Category Archives: Events

HAIR: Weaving & Unpicking Stories of Identity

Joanne Hichens and I are thrilled to announce that the anthology we co-edited ⁠— HAIR: Weaving & Unpicking Stories of Identity ⁠— is going to be launched at the Open Book Festival this year!HAIRcover_10cmHigh_rgb

HAIR: Weaving & Unpicking Stories of Identity is a collection of short stories inspired by hair. Like skin, hair is a body feature with a complex and controversial history, and is constantly under scrutiny in the media, specifically with regard to identity. HAIR: Weaving and Unpicking Stories of Identity features short stories by contemporary established and emerging South African writers of diverse backgrounds writing about hair and its intimate, personal as well as socio-political meaning. The book includes illustrative photographs by local visual artists. We hope that the stories will entertain, delight and challenge the reader.

“Dreadlocks, perms, afros, wigs and braids; hair is an extension of our ever-changing selves. In this startling new collection of masterful African stories juxtaposed with vivid modern photography, we see hair woven firmly into lives like generational pain in families. Or watch it blossoming into grand filaments of pride and reservoirs of power. Ranging from the fantastical to the mundane, the surly and mysterious to the jovial and witty, reading the stories in Hair will make yours stand on end.”

– Efemia Chela

Stories by Diane Awerbuck, Tumelo Buthelezi, Craig Higginson, Mishka Hoosen, Bobby Jordan, Shubnum Khan, Fred Khumalo, Bongani Kona, Alex Latimer, Kholofelo Maenetsha, Songeziwe Mahlangu, Mapule Mohulatsi, Palesa Morudu, Tiffany Kagure Mugo, Sally-Ann Murray, Sue Nyathi, Alex Smith, Melissa A. Volker, Lester Walbrugh, Mary Watson, Michael Yee

The title is appropriately deceptive. The reader goes into the stories expecting, and hoping, to engage with the politics and the business of hair. And the anthology brings all that successfully to the fore, but offers much more. Although the common narrative is about the politics of hair, what you will mostly find in these pages are stories about life and/or death, with hair in all its physical manifestations as a recurring motif.

– Palesa Morudu

Photographs by Kirsten Arendse, Saaleha Idrees Bamjee, Nina Bekink, Noncedo Charmaine, Keran Elah, Retha Ferguson, Sue Greeff, Liesl Jobson, Simangele Kalisa, Andy Mkosi, Manyatsa Monyamane, Nick Mulgrew, Aniek Nieuwenhuis, Chris Snelling, Karina M. Szczurek, Lebogang Tlhako, Karina Turok, Michael Tymbios, Jasmin Valcarcel, Megan Voysey

“Enthralling. Excellent idea given rich life by sharp writing and exquisite images.”

– John Maytham

EDITORS: Joanne Hichens and Karina M. Szczurek

FOREWORD: Palesa Morudu

ISBN: 978-0-9946805-4-9

PUBLICATION DATE: September 2019

PUBLISHER: Tattoo Press

HAIR will be launched at the Open Book Festival on 7 September at the Fugard Studio, 20.00-21.00. Please join the editors and a few of the contributors for the occasion!

Hair invite FB

 

Montagu Book Festival

I love going to literary festivals, whether it is as a writer or a reader. I love interacting with readers when I am attending as an author, and vice versa. Festivals are always such inspiring, informative and fun gatherings. They often take place in beautiful towns or cities that are worth seeing in their own right. And so it is with the Montagu Book Festival/Boekefees.

I first visited Montagu a few months ago when the local book club asked me to talk to them about The Fifth Mrs Brink. I received such a warm welcome and I met so many remarkable people that I knew I would have to come back for the festival, no matter in what capacity. What I could not have anticipated was that I would be there as a publisher!

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Karavan Press is up and running, or rather travelling, at a dizzying speed. First book launch, first interviews and first reviews behind us; it was time for the first literary festival, and we could not have done better than with the enthusiasm of the Montagu Book Festival organisers and readers. Great attendance, generosity of spirit, beautiful venues and the town itself: a Litte Karoo delight. Did I mention that the audiences are welcomed to the afternoon and evening events with a glass of local muscadel? Other terrific food and wine has been had – the pizzas at Burgundy Gherkin had the most amazing toppings, and the BluVines Restaurant was a delicious highlight of the visit (and a sponsor of the festival!). I loved their Mimosa wines, especially the bubbly and the red blends. A few bottles made it back home and will be enjoyed with good memories in front of evening fires. The balmy winter weather was a reprieve from Cape Town’s wintery storms. And the Milky Way presented itself in its full glory above the gorgeous landscape, luckily deprived of artificial light at night.

The programme was fantastic. Something for every literary taste. I attended four sessions apart from the one at which I interviewed Karavan Press’s author, Melissa A. Volker, about her life and her writing, specifically her novels, A Fractured Land and Shadow Flicker. I had been dreaming of talking to Melissa about her writing at a literary event for years now, and it made me so happy to finally experience it, not only as a huge fan of her beautiful novels, but also as their proud publisher.

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Poets: “Julle is die lig van die wêreld”

sdrThe other sessions were Finuala Dowling reading from her latest poetry volume, Pretend You Do Not Know Me, a ‘best of’ collection which also includes stunning new work; followed by John Maytham performing “Being Human”, a poetry script compiled by Finuala; Wilhelm Verwoerd talking about “that last name”; and Duncan Brown encouraging us to “rewild” our lives. While John was still in the audience, listening to Finuala, I was reaching for a tissue to deal with the emotions her poetry was evoking in me and glanced at him wiping away his own tears. We were both incredibly moved. And then, John made us laugh and cry with his exquisite reading of the poetry Finuala prepared for him. There was one particular poem that made us all crave chocolate cake so much that some delicious sinning was happily indulged in at lunchtime.

Wilhelm made me think a lot about my troubled memories of my paternal grandfather. And Duncan’s ideas made me feel very proud of my exuberantly wild garden.

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An obligatory swim in the delightfully hot springs of Montagu (I am an Aquarius after all) was the perfect finish to another great visit. Can’t wait for the next occasion to visit Montagu!

Book launch: The Messiah’s Dream Machine by Jennifer Friedman

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Jennifer Friedman was born and raised in the Orange Free State in South Africa. She studied at the University of Cape Town, and her Afrikaans poetry has been published in various academic journals such as Tydskrif vir LetterkundeWetenskap en KunsStandpunte and Buurman, as well as Rooi Rose. She emigrated with her husband and children in 1992 to Sydney, Australia, where she got her pilot’s licence. After her husband’s death in 1997, Friedman bought her own Grumman Tiger plane and she flies to the small outback towns and stations around Australia, often just for a lunch date and wherever the sun is shining. She now lives on the Central Coast of New South Wales with her partner.

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The Messiah’s Dream Machine is Friedman’s second memoir, after Queen of the Free State (2017).

On 4 April 2019, I will be in conversation with the author at the launch of this wonderful book. I look forward to seeing you all at the Book Lounge!

Richard III at Maynardville

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Literature in motion; an art form difficult to resist. I could never imagine being on stage, but I love sitting in the audience, suspending my disbelief, living and breathing the action unfolding before my eyes.

Theatre.

I prefer sitting in the first row. Small venues are my favourite. Done well, it is pure magic. It transforms.

I go regularly, often twice or thrice to see the same performance – to relive the wonder. I study the texts at home. Not many enjoy reading plays; I delight in them.

A while back, I wrote one. It even won an award. The prize money bought me a gorgeous, wine-red quilt. Last night, I was tempted to take it with me to Maynardville to the opening of Richard III, with Alan Committie in the main role. But the action-packed play and a Shiraz in the interval kept me all cosy and warm.

‘Why, I can smile, and murder while I smile…’

And he does. Smile, murder, seduce. Vanquish. Fall. The vicious circles of power.

The open-air theatre is the perfect setting for the play, the southeaster a willing contributor with uncanny timing. Tall trees haunt the stage. The simple props and the understated elegance of the costume design enhance the superb performances of the entire cast.

Cassandra Mapanda as Queen Elizabeth stood out for me. A true royal presence on stage. But nobody and nothing disappointed.

Shakespeare has never been easy for me. And Richard III was new despite my education and love for the theatre. Yet I never felt lost. As one head after another is impaled and hearts are conquered and torn apart, we are transported into the distant past that has a lot to teach us about our own times, our greed and disenchantment.

I will see it again before the run is over.

Richard III is on until 9 March; Wednesday to Saturday, at 8.15pm. Don’t miss it!

 

Announcing: The Philida Literary Award

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Today is the fourth anniversary of André Brink’s death. As we – his readers and loved ones – remember André, I would like to share the news that from next year on there will be a literary award given in André’s honour. The award will be named after a historical figure, the slave woman Philida van de Caab who entered the archival records because of laying an official complaint against her masters, Francois and Cornelius Brink, distant relatives of André’s. She became the protagonist of André’s last published novel, Philida (2012). André’s rendition of her courage and resilience continues to inspire me – and many others – as a woman and a writer.

As I wrote in the Note on my latest publication, You Make Me Possible: The Love Letter of Karina M. Szczurek and André Brink (Protea Book House, 2018), with André’s encouragement and support I was able to acknowledge the fact that I was a writer and that this would be forever my way of being in the world. He was an inspiration to many other writers and he was always generous with his time and expertise in furthering the literary careers of others. It is therefore my wish to establish The Philida Literary Award with the royalties from You Make Me Possible.

The Philida Literary Award will be awarded to a writer mid-career for an oeuvre of between three to five books of any genre. The idea behind the recognition is to acknowledge an author with a consistent record of publishing works of excellence and to encourage them further in their pursuit of a literary career. The award ceremony will take place annually on the anniversary of André’s death, 6 February, starting with the fifth anniversary in 2020. Thus, locally, it will be the first literary award given every year.

Four other judges who are immersed in the local literary community will join me each year in choosing a worthy winner. Each winner will be given an award certificate and an amount of money that will be at first determined by the royalties, and in future on funding which is in the process of being secured.

Picture above: Fragment from the cover illustration of Philida by Joe McLaren.

Thank you to Rachel Zadok, the founder of Short Story Day Africa, for inspiring the ideas behind the criteria of the award.

You Make Me Possible at the Woordfees

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One of my favourite events of the year opens the literary festival season and I am really looking forward to speaking about You Make Me Possible at the Woordfees with Kerneels Breytenbach on 6 March 2019, at 12:00, in the ATKV Boektent.

OUR LOVE LETTER

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Karina Szczurek, in gesprek met Kerneels Breytenbach

 Aangebied deur Protea Boekhuis

Haar man het haar met briewe die hof gemaak, vertel Karina Szczurek van die skrywer André P. Brink, met wie sy ’n dekade getroud was. Nou is dié briefwisseling sedert hulle ontmoeting in Desember 2004 in Oostenryk deur Karina gebundel as laaste liefdestaak teenoor André. You Make Me Possible begin in die roes van die ontdekking van ’n geesgenoot, dokumenteer die brose begin van ’n byna onmoontlike verhouding, en daarna die verdieping daarvan tot ’n volwasse verhouding in ’n nuwe wereld van saamwees en erkenning. Kerneels Breytenbach vra haar uit.

6 Maart 12:00

60 min | ATKV Boektent

R55 | R70 by die deur

You Make Me Possible at the KKNK

The KKNK is turning 25 this year and it is my great pleasure to be part of the writers’ programme at the festival.

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“Die KKNK bied hope geleenthede om die room van die Suid-Afrikaanse kunste in verskeie genres, dissiplines en vorms te beleef. Vermaak vir oud en jonk word met ’n program propvol drama, humor, musiek, diskoers en vermaak aangebied. Die fees gee aanleiding tot die skep van nuwe materiaal soos toneelstukke wat spesiaal vir die KKNK geskryf word en jaarliks word die topkunstenaars en-produksies by die Fees vereer met Kanna-toekennings.”

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YOU MAKE ME POSSIBLE: THE LOVE LETTERS OF KARINA M. SZCZUREK & ANDRÉ BRINK

MET Karina Szczurek en Erns Grundling (gespreksleier)

Novelist André Brink married Karina Szczurek when he was 71 and she was 29. They were together for ten years before he died on a plane, beside her, high above Africa in February 2015.

Selected and edited by Karina M. Szczurek, the love letters between herself and André included in You Make Me Possible tell in detail the story of how they met in Austria in December 2004, fell in love, and decided to forge a future together. The intense correspondence which followed in the weeks after their fateful encounter recounts their courtship in words, revealing their initially unacknowledged attraction, their fears and longings, and writing a new world of recognition and togetherness into being. The letters chronicle the time between their first meeting and Karina’s decision to relocate to South Africa to be with André in 2005 – a relationship which lasted until his death in 2015.

Engels | Gesin | 60 min

22 Maart 15:30

 

One day at The Star Soweto Literary Festival

Pam and BontleCamaraderie. That is the word which comes to mind when I think back to the one day I spent at the fabulous Soweto Theatre, attending the inaugural The Star Soweto Literary Festival. It was quite a whirlwind affair. A day of talks, improvisation, laughter and tears. I invited myself. The moment I heard that the festival was happening – and it was organised in a shockingly short amount of time – I volunteered to speak, chair sessions, whatever, just to be there. I felt it in my bones that it would be special, and I wanted to be part of it.

I was not disappointed.

Darryl Earl David, the founder of the three-day festival which took place last weekend, first announced his intentions at the end of June: “To create a truly non-racial literary festival in a black township, something that has never ever been done before. A start has been made in Khayelitsha. But that was more a book fair, not a literary festival. I have always maintained Soweto looms large in the literary imagination of South Africa … Soweto is the cradle of black literature. It was home to the canon of black literature in South Africa – Mongane Wally Serote, Sipho Sephamla Njabulo Ndebele, Miriam Tlali, Ellen Kuzwayo and Benedict Vilakazi.”

Pam and MohaleThe day I was there, Saturday, the presence of the spirits of these literary giants was palpable. The attempt to establish “a truly non-racial” space for writers, artists and the public to engage with one another’s ideas was a great success. I attended with a dear friend, Pamela Power, the author of Ms Conception and the upcoming psychological thriller, Things Unseen. We came away inspired, glowing, and moved to the core.

Continue reading: LitNet

with Pam and Kalim

“That’s what friends are for”

This time it was rage. No melancholy insomnia, just a big fat stick of fury ready to explode, the fuse much too short. I had been so livid that I walked around wanting to headbutt people, especially myself for being… well, not wise, to put it mildly. A volatile state. And once again Jack arrived, all in black, mattress-pressed, and ready for another clandestine rescue mission. He has a knack for showing up when most needed. Ryno sent him. A clandestine mission expert himself, Ryno is my publicist and friend, aka Work Husband, and he knew how much I coveted Reacher #21, Night School. When the proof copies arrived in his office, one was rushed off to me. And so I went back to night school with Jack and learned some valuable lessons about his rules. Recently, I had failed to follow one, and paid dearly for disobeying. Jack knows how to trust his gut feelings, follow his instincts, analyse, predict, outsmart, wait – patiently – and strike when least expected. Night School is vintage Reacher, all tension, wits and charm. Frances Neagley is back at his side. And oh, that crisp writing which seduces me every time. Yes, all men want to be like him, all women want to… Obviously! Because:

“…her hands flat and open, her palms close to the bed, hovering, skimming a cushion of air, as if she was balancing.”

with Jack

In September, Andy Martin, the “gonzo academic”, author of the must-read Reacher Said Nothing, is one of the international Open Book Festival participants in Cape Town. If you are a Reacher fan, or a surfer, come and listen to him talk about both.

In October, the second Jack Reacher film is released, based on Never Go Back.

Night School will be published on 8 November 2016.