OYSTERHOOD is reclusiveness or solitude, or an overwhelming desire to stay at home.

No dreams, but an early wake-up to more worrying news. Maybe I should not be watching eNCA first thing in the morning, yet I am even more concerned if I don’t…
But no time to wallow in worry on a Monday morning. The bin had to be put out (it hasn’t been collected though; I just brought it back in), the stoep plants had to be watered, the orchids always get their weekly bath on a Monday, and it was time to do some laundry. Coffee first, of course. Taking the bin out, I waved up and down the empty street and smiled at Devil’s Peak, all glorious in the morning light. My first twenty seconds outside the property since Thursday. It felt amazing.

I spent the rest of the morning reading in bed and then had a shower and washed my hair. All energised and clean, I sat down to my computer to write two book reviews. In the meantime, I made lunch and hung up laundry. Once the writing was fished I continued with reading in the sun. Today, I did not feel like moving a lot, but the sunbathing was soul-restoring. Apart from showering, there is not much that I can do without the assistance of at least one cat in this house (and even the shower is not always a place they stay away from – today I sprayed the shower cubicle with mould buster and there is something in the spray that makes Salieri go cuckoo; it’s hard to explain, but I think she would be embarrassed to have videos of her reaction to the substance posted on the internet … if mould buster was prohibited during the lockdown, Salieri would have a problem!).
While I was reading on a blanket in the garden, Glinka came for a scratch behind her ear and then settled in my shade for company.
We are really enjoying the latest Michiel Heyns, A Poor Season for Whales. I was supposed to interview Michiel at his book launch tomorrow at the Book Lounge, but… it is A Poor Season for Book Launches, too.
I adore Michiel’s writing and I am so pleased that I was asked to do the interview. I hope it will still happen. One day. It will be a pleasure to at least write about the book if I have the opportunity. When Michiel and I were regular reviewers for the Sunday Independent, I used to read his book reviews every week with awe and I am still hoping that, one day when I grow up, I can write like that.
After all this literary laziness, it was time for emails and updates and more work and dinner. Today’s meals were all simple, but I did make an extra effort with the potato salad which includes a secret ingredient tip given to me by my very dear friend Erika (her Family: Kobus, Roland and Mika – my Family – mean the world to me). The tip was passed on to Erika, as all worthwhile tips are, from her mother.
All in all, a calmer and more successful day than yesterday, but my cheeks are sore again and, even though I had hoped to skype with my cousin in Poland, I need to get into bed and just relax.
After dinner, we all got in front of the TV to watch the President speak. I am Polish by birth, Austrian by citizenship (and the Austrian consulate has been in touch with me to make sure that I was all right, which was very comforting in all kind of ways, but…) and, for the past fifteen years, I have been South African by heart, and when I watched Cyril Ramaphosa address the nation tonight, I felt that he was my President, too. Because South Africa is my home.
“I have no doubt whatsoever that we will overcome.” President Cyril Ramaphosa on 30 March 2020 in his address to the nation
Be kind to yourself. Be kind to others. Stay at home.













“Something priceless was dying in front of our eyes. The feeling was bewildering, as if the earth was shaking”, writes Ken Follett about watching the Notre-Dame Cathedral burning on 15 April last year. Not an expert on cathedrals, but known across the world for his The Pillars of the Earth, a novel about the construction of a cathedral for which he did an enormous amount of research, he became the media’s go-to person for commentary about the Notre-Dame fire and, together with his French publisher, decided to write Notre-Dame: A Short History of the Meaning of Cathedrals to support the reconstruction efforts of the architectural treasure after the catastrophe. All the royalties generated by the book go to the charity La Fondation du Patrimoine.


As readers, we turn to specific authors when we don’t want to be disappointed. The internationally acclaimed writer, Craig Higginson, has become one of these for me. His latest novel, The Book of Gifts, is another gem in his impressive oeuvre. It begins with a family trip to uMhlanga Rocks and radiates from this particular moment into the past and the future, gradually piecing together the puzzle of the intricate – often toxic – relationships that play out during the holiday in KwaZulu-Natal. At the centre of the unfolding story and the complex familial constellation are the two half-sisters, Emma and Jennifer. Emma is a successful sculptor and mother to Julian, at the time of the holiday an eleven-year-old boy who falls in love for the first time with an enthralling, slightly older Clare. Jennifer is a teacher at Julian’s school back in Johannesburg where they all live, and wife to Andrew, a psychologist struggling to find his professional and personal bearing.
The internationally acclaimed, Durban-born writer, Elleke Boehmer, has a second short story collection out: To the Volcano, and Other Stories. Set mostly in the southern hemisphere and illuminated by the legendary southern light artists and tourists travel the world to experience, the twelve stories in this collection explore the tenuous and tenacious relationships people have with the South.
Adamastor City is a first in all kinds of fascinating ways: for the author, Jaco Adriaanse, it is a debut novel and the first book in The Metronome Trilogy, and it is the first title for the new, independent publisher on the block, Burnt Toast Books, established this year by Robert Volker, who wants to focus on shorter forms and allow authors more freedom to experiment.
We have entered an era when biographers and literary scholars bemoan the fact that most of us have stopped writing letters, the ones composed with a pen on paper, folded into an envelope and posted to be received and perhaps kept under a pillow or in a jacket’s pocket because of the precious content they contain. For centuries, such letters were frequently lifelines to others and bore testimonies to our lives in ways that our modern world, despite all our inventions and our seeming connectedness, is no longer capable of reproducing.