Tag Archives: An Exceptionally Simple Theory (of Absolutely Everything)

In/sanity: Mark Winkler’s Wasted

WastedWhere does sanity end and insanity begin?

Can anyone who intentionally kills or violates another person be thought of as sane?

Earlier today while driving, I saw a man, probably homeless, standing next to a garbage bin and talking to himself. It might have been the same man who a few months ago passed me in the street and out of the blue started screaming at me, forcing me off the pavement into heavy traffic. I was fortunate that cars avoided hitting me just in time. I wasn’t hurt, but petrified. I haven’t walked that route since.

I still like walking in our neighbourhood though, and do it nearly daily (it helps to keep me sane).

There were times this year when I did not feel sane myself. Grief is not a mental illness, but it is a state of vulnerability that makes you often act insane. I have experienced some really mad stuff since February. There were days when I thought of Valkenberg, and the idea seemed strangely serene. There are times in one’s life where all you want to do is lie down and let others take care of you. Just some peace and quiet, punctuated by kindness. We all have moments when we long for such spaces.

Water coverI finished reading Mark Winkler’s second novel, Wasted (Kwela, 2015), this morning, hence all these thoughts about in/sanity. I picked up the book because of the excellent story Winkler contributed to Water: New Fiction from Africa (forthcoming from Short Story Day Africa). I felt this was an author I wanted to get to know better. I have not been disappointed. Wasted is one of the best novels I have read this year. Well written (with an opening that is impossible to resist, and a middle and end that are even better), tense, darkly humorous, unpredictable and thought-provoking throughout, Wasted is one of those novels that creep under your skin. It strikes an admirable balance between seriousness and entertainment. Winkler manages to pull off that tough task of making you care for quite an unsavoury protagonist: Nathan Lucius is an enigma for most of the book and one approaches the unfolding of his story with trepidation, but you simply need to know what makes him tick.

We know he sleeps with the light on, has a dubious approach towards personal hygiene, does not allow anyone into the sanctuary of his flat where he collects old photographs of strangers he imagines as members of his family, and his relationships with his work colleagues, his widowed neighbour, a friend suffering from cancer, and his real family are unusual (if that is the right word), to say the least. The why behind his behaviour comes as quite a shock around two-thirds into the novel. But even earlier, around one-third into it, we come to the first unsettling revelation. The ending blows your mind.

What fascinates me about the novel is the portrayal of this character who is so recognisable and yet so foreign. You read along, and, if you’re honest, you allow yourself to realise that, yeah, I have done some similarly crazy shit, and, yeah, I have had similarly dark thoughts. The lights, the solitude, the blackouts, longing for forgetting, incapability of dealing with the frustrations of the everyday – been there, done that (perhaps not exactly to such extremes, but the point is that one can associate with it). Not wanting to spoil the surprise, let me just say that fortunately most of us don’t end up like Nathan. But it is a fine line that we all tread. That is what makes him such a great character. It’s easy to feel him.

Winkler is also the author of An Exceptionally Simple Theory of Absolutely Everything (Kwela, 2013) that I hope to get my hands on tomorrow at the celebration of The Book Lounge’s 8th birthday party. Wow, time does fly! Allow me to hope that it heals, too.

How to quench literary thirst?

Water coverSimple: with Water!

There is a wonderful anthology of short stories coming our way at the end of the year, and I am not only saying this because I had the privilege of co-editing it (with the multi-talented Nick Mulgrew): Water: New Short Fiction from Africa, curated by Short Story Day Africa.

Life should be about all those half-full glasses, and this particular one is overflowing with talent and inspiration. The great thing about most short fiction anthologies is that they give you samples of writers’ work which can lead to amazing discoveries. Most of the contributors to Water were new to me, but all of them, without exception, will remain on my radar of literary interests and I will follow their careers with anticipation.

I think that if you can read a short story a few times (which I had to do for all the stories in the collection) and can still enjoy it, discovering new aspects with each turn and deepening your appreciation, then it has to mean something. Next week, I will proofread all of them one more time before the anthology goes into print, and I do not dread the task at all, but actually can’t wait.

Short Story Day Africa has been doing incredible work since it came into being, offering a space for African authors to express their desires about the African story (as writers and as readers), connecting, inspiring, developing ideas, celebrating a genre that is without equals. A good short story is a good short story, and despite all the rumours that nobody writes, publishes, or reads it, the short story will survive and thrive, because many of us LOVE to write short stories, and we LOVE to read them! It’s all very simple, actually.

All of the contributors to the anthology are good writers and I salute them! When I single out only a few in what I am about to say, it is not because of favouritism, but because I feel that I am only at the beginning of a journey which Water is taking me on.

Efemia Chela: Every time she publishes a story, its exquisiteness astounds me. I know three. All three belong to the best of the best I have ever read. This is someone with a talent so precious that it should be cherished and nourished, so that it can grow strong roots in our literary community. One day, Chela might tower over it like one of those majestic baobabs which grace the African landscape.

Alex Latimer: His story in the anthology is bizarre, to say the least, but it speaks about grief in a way that has touched me deeply. Its handling of the emotion is so subtle and so beautiful, it will stay with me for a very long time. As will Alexis Teyie‘s story about the most unbearable of losses. When you get to the last line, it literally knocks you off your feet.

Megan Ross: After reading her story, I cannot wait to get my hands on the novel she is writing at the moment. May the muse be good to her.

Mark Winkler: He has already published two novels which I might not have looked at, hadn’t I fallen in love with his story in Water. I am nearly finished with his latest, Wasted, published earlier this year (the sense of humour and the unusual, totally unpredictable, plot!), and I will read the first, An Exceptionally Simple Theory (of Absolutely Everything) (2013), as soon as I can.

And then there is Dayo Ntwari: His story is exceptional as a story, but the world and the characters he creates in it are so fascinating that one feels there could be more to them than just this one incarnation. I would love to get to know them and the scary futuristic-mythical place they live in (which is such an astute reflection of our own times) better. Any literary agents out there looking for fantasy/speculative fiction/SF from Africa? Look no more. Just saying.

I can’t wait for readers to dive into Water and discover these treasure among twenty-one excellent stories. And I promise to report more on the journey these waters are taking me on.

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