Tag Archives: Anna Netrebko

Our Literary Felines

Mozart after finishing Imre Kertész's Liquidation

Mozart after finishing Imre Kertész’s Liquidation

Inspired by a chat over dim sum and pu-erh tea with Alex Smith and her recent Three Cats blog post, as well as an exchange of cat photographs on twitter with Katherine Stansfield whose four Cats seem as literary as our Feline Family, I decided to share a few stories and photographs here with you.
Anya and Mozart supervising the writing of my PhD thesis on Nadine Gordimer

Anya and Mozart supervising the writing of my PhD thesis on Nadine Gordimer


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André and I don’t want to remember the ordinary boring life we led before Anya and Mozart (named after Anna Netrebko and Amadeus – they were born in the Mozart year) arrived on a KLM flight from Austria in 2006. It was quite a dramatic occasion, because their documents got lost along the way and their trip was postponed by 24 anxious hours. However, at last we received the news that they were safely on their way and we could pick them up from the airport. The plane landed, all the passengers – human and non-human – deboarded and we were told that we would get ‘our dog’ in a few minutes.
‘But we are expecting two cats,’ we protested with hearts in our throats.
The man glanced at the documents in his hands, ‘Yeah, right.’
Minutes passed, we remembered the lost documents and began to prepare ourselves for the Rottweiler travelling on Mozart’s pet passport while he and Anya were on their way to Australia for all we knew.
The airport official returned empty-handed, but assured us that ‘our dog’ was on his way.
‘You mean our TWO CATS!’ we shouted, but he was gone again.
At last, he returned with a cage containing two very vocal Kitties we recognised. Relief, relief!
We had read all the available cat books and prepared the house for their welcome, stressing about getting it all right, but Anya and Mozart were completely blasé about the entire trip to the other side of the world. The moment we arrived home, we let them out of the cage and stood around helplessly, watching for any signs of distress. They stretched, looked around, located the litter box, did their business, saw the food and the water, helped themselves, sniffed a bit around, and literally twenty minutes later were both stretched out on our bed, looking up as if to say, ‘So, when are you coming to bed?’

Our lives changed that day. They became a million times better!

Anya with one of her favourite novels, Jeanette Winterson's Lighthousekeeping

Anya with one of her favourite novels, Jeanette Winterson’s Lighthousekeeping


To lose Anya to a speeding car a few months later was shattering, for all three of us, worst for Mozart of course, but we all didn’t know how to deal with the loss. I still see her strolling through the house, waving her gorgeous bushy tale as if the world belonged to her. It did. We miss her terribly.
Mozart showing Salieri the ropes of supervising my PhD on Gordimer

Mozart showing Salieri the ropes of supervising my PhD on Gordimer


After the tragedy, friends recommended a kitten. That is how Antonia Salieri came into our lives in 2007. Born in a sewage pipe, she was a bit of a rough diamond at first, and so tiny that she constantly got lost under Mozart’s feet when he tried to play with her. Eventually, out of desperation, I presume, not knowing how to engage her otherwise, he danced on the scratching pole for her, bum and tail high in the air like a real pro. None of us will ever forget the performance, least of all the flabbergasted Salieri. Once she recovered from the shock, they settled into a co-habitation of mutual respect. Salieri quickly realised that the circumstances of her birth shouldn’t stand in her way of behaving like royalty and she earned herself the nickname Principessa from an Italian visitor to the Brink household. She only eats her food if served on the kitchen table (Royal Albert plates), takes up half of my half of the bed (she doesn’t care much for my back problems), and screams at me if I misunderstand ‘Catlise’, the most important language for any human to understand. Any cuddles happen only and entirely on her terms when she is ready for them.
As a kitten Salieri read Olga Tokarczuk

As a kitten Salieri read Olga Tokarczuk


Salieri pensive after reading the Sunday newspapers

Salieri pensive after reading the Sunday newspapers


Salieri shocked how little she knew about Paris after reading The Most Beautiful Walk in the World by John Baxter

Salieri shocked how little she knew about Paris after reading The Most Beautiful Walk in the World by John Baxter


Salieri supervising André's translations of Ingrid Jonker's poetry for Black Butterflies

Salieri supervising André’s translations of Ingrid Jonker’s poetry for Black Butterflies

Salieri getting her teeth into Roget's Thesaurus

Salieri getting her teeth into Roget’s Thesaurus


Salieri trying to put some order into the chaos on André's desk

Salieri trying to put some order into the chaos on André’s desk


Mozart is our wanderer and partly adopted the neighbours as his other family. He is very wise, speaks Polish, German, English, Afrikaans, and Catlise fluently, understands many more languages and loves David Attenborough bird documentaries.
Mozart contemplating whether to read Granta magazine or Gordimer's Selected Stories next

Mozart contemplating whether to read Granta magazine or Gordimer’s Selected Stories next


Mozart searching for a dictionary

Mozart searching for a dictionary


We never thought of another cat to join the household, but when Michela Glinka was placed in my hands with a red bow around her neck and we were told that she desperately needed a home, we had no choice. She arrived in 2008 with a tummy problem and kept us awake the whole first night. Between trying to somehow help her and changing our bed sheets for the third time, I was ready to give her back, but when we eventually all fell asleep in the morning and woke up together, I knew she was here to stay. She is now sleeping on my chaise longue in one of her nests.
Glinka in a nest

Glinka in a nest


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Glinka is the ultimate nest-builder, fresh laundry is best, but any blankets or quilts will do. We also call her our birdie-cat because she chirps like a little bird. The moment I set foot out of the bed in the morning, she will be running through the house, chirping along the way to welcome me into the day. We make coffee together and then return to bed where she will sit on my chest (as close to my face as possible), have rusk crumbs, and read with me or go over to André to check whether his book is more interesting. Most of my writing happens with her in my lap or somewhere in the room.
Glinka with Lauren Beukes's Moxyland toy

Glinka with Lauren Beukes’s Moxyland toy

Glinka pondering a word she'd just looked up in a German-English dictionary

Glinka pondering a word she’d just looked up in a German-English dictionary


Glinka inspiring my writing

Glinka inspiring my writing

Glinka and I writing in winter close to the fireplace

Glinka and I writing in winter close to the fireplace


Glinka is most famous in the literary circles around the world as the cat who inspired Kleinkat in André’s Philida (2012), recently also published in Taiwan (I love the cats on the different covers).
Philida3Philida2Philida cover TaiwanFrom the acknowledgements of my Invisible Others: “My furry family, Glinka, Salieri and Mozart, true experts at life, keep trying to teach me how to make the most of it; I hope they will succeed one day.”

Power to inspire

Rafael Nadal at the 2010 US Open, photo by Kevin Lamarque for Reuters

Rafael Nadal at the 2010 US Open, photo by Kevin Lamarque for Reuters

Every time Rafael Nadal steps on a court he is prepared to suffer, and then to suffer some more. By his own admission, he never plays without pain. He seldom gives up, no matter how bad it becomes. His tenacity was nowhere more evident than in the final of the Australian Open earlier this year when he faced Stanislas Wawrinka and could hardly move. He had no right to win that third set, and yet he did. During injury timeout he sobbed his eyes out. The armour of his many strange habits melted away in the furnace of his suffering. Across the world, Rafa fans watched with lumps in their throats. The encounter was painful to all involved, perhaps most to Stan the Man himself who will probably always wonder whether it was a spasm or his skill that won him that title. As is his habit, Nadal congratulated his opponent, his team, thanked everyone, did not make excuses, and bowed out graciously to allow another man to bask in the glory of the moment.

I suppose Wawrinka deserved it anyway for the way he nearly beat Novak Djokovic the year before, and the way he finally managed to beat him in the semi-final before facing Nadal. There is some poetic justice in that. But how much sweeter the victory could have been if, like the nineteen-year-old Juan Martín del Potro, he had beaten the world Number One and Two in top form on his way to his maiden Grand Slam title? The unbelievable final between Del Potro and Federer at the US Open of 2009 is locked away in my memory as one of the greatest matches I’ve witnessed since becoming a tennis fan. I felt just as exhausted from cheering as Del Potro must have been after that beautiful win.

Yesterday, when Nadal lost his first set in the Roland Garros quarter-final to his compatriot David Ferrer, I did not panic. A commentator once remarked that unlike most other tennis players, Nadal, like a sports car, has a sixth gear. It is something to watch when his play shifts into it. Even when he is playing badly and nearly losing and his opponent dares to begin dreaming of victory, there will often be one game, one point, when a stroke of genius ignites that sparks of Nadal’s sixth gear and he will pull a victory out of that fire. Nadal wasn’t anywhere near defeat last night, and there wasn’t much wrong that Ferrer did in the third set, but Nadal becomes unstoppable when he is in that zone. (It is the reason why a fan wrote in one of those endless comment chains on the ATP homepage before the Australian final this year that Nadal is a lion who eats wawrinkas for breakfast. When he isn’t stiff with pain, that is.)

Ferrer is the only player I don’t mind Nadal losing to. Seeing Ferrer triumph at Monte Carlo did not hurt. When Nadal was out with injury for most of 2012 and many doubted whether he would ever play again, during a post-match interview Ferrer was asked whether with Nadal out of the game he was now the King of Clay? His answer – I’m no king, I’m David – says everything about this man who on court between points reminds me of a farmer pacing his kitchen floor, waiting for the storm to pass so that he can inspect the damage to his crops. People say that he has no weapons in his arsenal to beat the Big Four. Perseverance might not be an Isner serve or a Wawrinka backhand, but those haven’t won Ferrer over twenty ATP titles. I would love to witness him adding a Grand Slam championship to that trophy cabinet before he finally hangs up his racket and turns his attention to something just as fulfilling, potato farming or wine making.

Until a few years ago, I hated watching tennis. I had a few false starts with the sport. I thought of it as an elitist pastime for Ferrari-driving snobs and rich bored housewives. When I was a child in Poland of the early 1980s, one of the girls in our street had a tennis racket (her father worked across the border in Eastern Germany), and sometimes she would let us use it. We stood in a queue and passed the racket on to one another; everyone was allowed to bounce the ball once against the side of a building. Not exactly the most exciting introduction to tennis. When I was about thirteen, Liz, a school friend in Warwick, N.Y., tried to teach me to play but she chose a day during a humid heat wave and I could barely move or see in the sun. Then, when I was slightly older, my two male cousins who played quite regularly wanted to play a trick on me and let me hit the ball against them for a few hours. My right arm was in a sling for a week afterwards. I even had to eat with my left, it was so sore. And I always remember my paternal grandfather obsessively glued to the screen whenever tennis was broadcast on TV. He watched night and day and was not amused when we interrupted.

But then I met André. There are three hobbies my husband introduced me to: he asked me to listen to Anna Netrebko and Rolando Villazón and I was forever hooked on opera; he showed me the All Blacks in action and something which I’d always considered brutal and ugly became poetry; and he asked me to watch Roger Federer play against Nadal – the contrasting styles and their rivalry inspired my passion for tennis. Like André, I was a Nadal fan from the start. (Unlike André, I don’t think that his biceps are the most beautiful part of a body I’ve ever seen in a man. I like the way Nadal’s right hand moves through the air though; in slow motion and stills, there is a grace and subtlety to the way his fingers align that clashes with the sheer brutal physicality on his other movements.) We could admire the precision and beauty of Federer’s tennis, but it was the force and ingenuity of Nadal’s racket that won us over. In the meantime, Federer has also grown on us. There is no doubt in my mind that apart from the niggling head-to-head record with Nadal, Federer is the Greatest of All Times. Should Nadal add a few dozen weeks at Number One and a Slam or two to his illustrious achievements, I will reconsider. At the same time, I am not giving up on Federer to still add to his just yet, not before Wimbledon or the next Olympics anyway.

RafaI loved reading Nadal’s autobiography Rafa: My Story, co-written with the wonderful John Carlin whose Playing the Enemy is one of the best books every written on South Africa and rugby. Rafa is also a great read, at times as tense as a Wimbledon final, but mostly an insightful analysis of the fabric of Nadal’s achievements. What moved me most in the book were the descriptions of the tightly woven ties of the Nadal family. I was reading Rafa during my parents’ divorce proceeding, so I understood immediately why it was no coincidence that in 2009 Nadal’s knees gave in at the time when his own parents were separating. Every time he plays and both his parents watch on from the player’s box, sometimes sitting next to each other and chatting away or cheering, I envy him. No achievement of mine could bring my parents back into the same room. The entire Court Philippe Chatrier would not be big enough to accommodate their pain.

Nadal is an inspiration in every sense of the word. I will never play tennis myself, but whenever I am struggling to find the will to go on with my own work, I think of him and write the next word. I think of all the other tennis encounters I’ve witnessed, watching tournaments with André over the years, and take courage from them. Who can forget those last few games of the longest match ever played between John Isner and Nicolas Mahut at Wimbledon? Or that marathon Australian final between Djokovic and Nadal and the latter’s ‘good morning everyone’ during the trophy ceremony. Or Gilles Simon’s and Gael Monfils’ five-setter thriller in Australia, when from the third set onwards one was cramping so much he could hardly stand and the other’s blistered hand was dripping blood, and yet the moment the ball was in play, they fought for every single point as if it was their last. There are no losers in such matches. My everyday battles might seem insignificant in comparison but they are no less real. Watching tennis in such moments gives me strength to face my own weaknesses. And it was Nadal’s on-court magic that brought me to the sport. When he was out with injuries in 2009 and 2012, I continued watching and cheering, but something was missing. A healthy and competing Nadal at the top of his game makes my own work easier and more worthwhile. True greatness always has the power to inspire beyond its own discipline.