Tag Archives: love story

Book mark: The Night Watchman by Richard Zimler

The Night WatchmanChief Inspector Henrique Monroe of the Lisbon Police Department is brilliant at what he does, but gets help from a very unusual source. When a successful businessman is murdered under strange circumstances in his home, Monroe is called to investigate. The complex case awakens memories of Monroe’s distant past of growing up in Colorado with his younger brother Ernie, and threatens to unravel the fragile new reality the cop had been constructing around himself in Portugal ever since. His search for truth takes him to the country’s highest echelons of power. What he finds is horrifying, but tragically common. The Night Watchman portrays a troubled, corrupt society any South African reader will recognise. Tense, deeply felt, the novel asks a pivotal question: “Was it a paradox that truths left unspoken ended up taking away your voice?” The disquieting answers it provides are heart-breaking.

The Night Watchman
by Richard Zimler
Corsair, 2014

Book mark first published in the Cape Times on 12 December 2014.

In 2007, I reviewed one other novel by Richard Zimler:

The Seventh GateThe Seventh Gate
Constable, 2007

In 1990 the discovery of seven manuscripts of the sixteenth-century Kabbalist Berekiah Zarco sparked Richard Zimler’s internationally bestselling novel The Last Kabbalist of Lisbon (1996). Following its success, Zimler, an American living in Portugal, published two other novels about the Portuguese-Jewish Zarco family: Hunting Midnight (2003) and Guardian of the Dawn (2005).

The Last Kabbalist of Lisbon explores the fates of the Jewish community at the time of the Lisbon massacre of April 1506. Partly set in nineteenth-century Africa, Hunting Midnight is the story of a friendship between the Portuguese John Zarco Stewart and an African healer and freed slave named Midnight. Guardian of the Dawn takes us back to Goa at the time of the Catholic Inquisition in the seventeenth century.

The fourth novel in Zimler’s independent historical novels series is The Seventh Gate. Set in Berlin of the 1930s, it portrays Hitler’s brutal rise to power and the effects it had on the Jewish community and the disabled long before Second World War began. It subtly exposes how a whole nation could succumb to the madness of the Nazi regime; some willingly, others under extreme pressure. Meticulously researched and vividly brought to life, Zimler’s Berlin of the 1930s is a nightmarish place where loyalty between family members and friends as well as each individual’s sanity and heroism are tested to the limits.

In spite of its harrowing topic, The Seventh Gate is the kind of novel that makes you relax after the first twenty pages, knowing that there is another five hundred in store for you before the final curtain falls. Driven by superbly drawn characters, strong dialogues, and the unusual but beautifully touching love story at its centre, The Seventh Gate is a tribute to all the people who suffered similar fates at the hand of the Nazis as the characters in the novel.

The story is told by Sophie. In the Preface of the novel she is a fragile eighty-nine year old living in America and being taken care of by her nephew. After a spell in the hospital she decides to entrust him with her memories of the past when she was a teenage German girl in Berlin of the 30s and the world began to fall to pieces.

Sophie tells the story of Isaac Zarco, a descendant of the Kabbalist Berekiah Zarco, and the members of The Ring, now a clandestine group of Jewish activists trying to fight the Nazi regime. It is also the story of her brother Hansi, a distant child whom Sophie loves dearly and whose life is threatened by the Nazis. Misunderstood by her mother, betrayed by her father and Tonio, the boy she has a crush on, Sophie has to make some tough choices, trying to protect Hansi and her friends from the Nazi onslaught. The sudden wave of mysterious murders, disappearances and forced sterilizations makes her and Isaac realise that Berekiah Zarco’s worst fears might be about to come true, centuries after he wrote his manuscripts.

Artistically talented and mischievous, Sophie is a heroine one will not easily forget. Her passion for the cinema, her growing sense of righteousness, her awakening sexuality, and her selfless devotion to the people she loves sparkle with authenticity. The novel is interspersed with the poignant sketches she draws of her friends, adding to this overall effect.

Much has been written on Hitler’s Germany, but Zimler’s The Seventh Gate reveals a side of its inhumane machinery which has not been as prominent in the renderings of the time as it should have been, as the novel carefully examines how the horrors we associate with the time of the war already started happening in the early 30s with everyone watching almost in complete silence. Zimler probes the questions of how power is consolidated by intimidation and propagandistic lies, but also shows how small acts of courage and integrity can stand in its way. As Sophie comments on her younger self: “I’m still too young to know that people need only be frightened for their lives to swear that night is day. And that they can believe it’s really true.”

In an interview with Boyd Tonkin, Zimler stated that the relationship between the siblings Hansi and Sophie is his “monument” to the victims of the Nazi war on the disabled. The author expressed his wish that “every reader who reads the book with an open heart will be devastated by what happens to them both.” Because of the powerful storytelling of The Seventh Gate one cannot help but be.

Review first published in the Sunday Independent on 25 November 2007.

10 Questions

Invisible Others1. What question are you asked the most frequently?
How does one pronounce ‘Szczurek’? People usually remember me as the one with that weird name and hardly ever get it right. But I don’t mind. I know they mean me.

2. What is the question you dread being asked about Invisible Others?
It wouldn’t be very wise to give it away here… Officially, I don’t dread any questions about the novel.

3. Invisible Others is your first novel and at first you wanted to publish it under a pseudonym. Why?
People engaged in criticism often misinterpret their own role in the literary community. I wanted to avoid having to deal with those kinds of frauds, but I realised that a pseudonym wasn’t the answer.

4. Do you think being André Brink’s wife can count against you as a novelist?
Perhaps, but it will count against me with people who base their judgements on matters which have nothing to do with the real me or the real André, and definitely not with my work, so I can’t really take that attitude seriously.

5. You write about sex without the shackles of Calvinism. Are Polish women more open to talk about sex than South African women?
Not at all. My open approach to sexuality has nothing to do with my being Polish. Sexuality is such an essential part of who we all are; it is important to me to write about it as a lived, not only an imagined (and thus often distorted), experience.

6. In Invisible Others you describe Paris in a sensual and cinematically evocative way. Why are you so drawn to this city?
The story demanded being set in Paris. My role was to try to do justice to the city which has been written about so widely. I focused on the spaces which have personal meaning for me, like the Polish Bookshop.

7. You and your family fled Poland when you were still young. In what way has this shaped the Karina you are today?
In every way. A migratory background marks people the way gender, class and race do – it influences everything you do in life. We fled the then-communist Poland in 1987 when I was ten years old and settled in Austria where my parents still live. They wanted a life of freedom and opportunities for us. They certainly succeeded!

8. What is your favourite thing about South Africa?
Multiculturalism – it is what made me feel at home here the moment I stepped off my first flight to Cape Town a decade ago.

9. And your least favourite thing?
Fear.

10. You and your husband André are both masterful tellers of love stories. Will you ever write about your own romance in fictional form?
If we ever did, our love story would not need the veil of fiction to be told. In a way we are telling it already, in bits and pieces of our non-fiction writing.

First published in Afrikaans in Beeld.