Tag Archives: criticism

The Image of a Pie: Reflections on Open Book 2014

Niq Mhlongo, Chris Beukes, Malaika wa Azania and Natalie Denton
I cried twice. No matter how much I tried to control myself, the tears kept coming and I was grateful for the pack of tissues I had in my handbag. I should have started shedding tears at the beginning of the event, when the woman who is our national treasure, Sindiwe Magona, noticed that we were only a few people in the audience while the whole of South Africa should have been attending. But it was only when Sixolile Mbalo, the soft-spoken, beautiful author of Dear Bullet, Or A Letter to My Shooter (2014), pointed to herself with her most articulate hands and used the possessive pronoun “my” to refer to the man who raped, shot, and left her for dead, that the dam of anguish broke inside me. In my own personal reality I speak of “my friend”, “my brother”, “my husband”. To have to survive a reality where a rapist is internalised into “my rapist” is nearly unbearable to think of, and yet, as Ekow Duker, the third panellist of the Open Book Festival event presented by Rape Crisis, mentioned, “We get more upset when our soccer team loses than when a woman is raped.” That is the reality Mbalo lives, and courageously survives, every single day of her life. All of us should take note and salute her. Any moment, her fate could become that of “our friend”, “our sister”, or “our wife”.

“Women are ghost heroes in our struggle.” – Niq Mhlongo

This year’s Open Book unfolded over five days from 17 to 21 September in Cape Town. It was filled with insight and inspiration. Apart from the moment described above, laughter dominated. The second time I shed tears, they were also an expression of joy. Speaking about her touching Good Morning, Mr Mandela (2014), Zelda la Grange told Marianne Thamm that Madiba destroyed all her defences just by holding her hand when they met. La Grange’s life bears testimony to one of Thamm’s remarks: “Mandela made us better people; that’s what good leaders do.” The conversation between these two powerhouse women was undoubtedly a highlight of the festival. Judging by the faces and comments of people present at the event, most felt its magic.

“Let it all come out and let us talk about it.” – Mandla Langa

Sixolile Mbalo’s and Zelda la Grange’s life stories capture the immense span of the spectrum of South African everyday experience. And it is essential for our humanity to pay as much attention to the one story as to the other, even though it is in our nature to gravitate towards happiness and success.

“Memory is always a fiction we tell ourselves.” – Rachel Zadok

Continue reading: LitNet.

Jonny Steinberg, Mervyn Sloman and Mark Gevisser
Niq Mhlongo, Geoff Dyer and Zukiswa Wanner
Raymon E Feist, Deon Meyer and Andrew Salomon
Zelda la Grange and Marianne Thamm

10 Questions

Invisible Others1. What question are you asked the most frequently?
How does one pronounce ‘Szczurek’? People usually remember me as the one with that weird name and hardly ever get it right. But I don’t mind. I know they mean me.

2. What is the question you dread being asked about Invisible Others?
It wouldn’t be very wise to give it away here… Officially, I don’t dread any questions about the novel.

3. Invisible Others is your first novel and at first you wanted to publish it under a pseudonym. Why?
People engaged in criticism often misinterpret their own role in the literary community. I wanted to avoid having to deal with those kinds of frauds, but I realised that a pseudonym wasn’t the answer.

4. Do you think being André Brink’s wife can count against you as a novelist?
Perhaps, but it will count against me with people who base their judgements on matters which have nothing to do with the real me or the real André, and definitely not with my work, so I can’t really take that attitude seriously.

5. You write about sex without the shackles of Calvinism. Are Polish women more open to talk about sex than South African women?
Not at all. My open approach to sexuality has nothing to do with my being Polish. Sexuality is such an essential part of who we all are; it is important to me to write about it as a lived, not only an imagined (and thus often distorted), experience.

6. In Invisible Others you describe Paris in a sensual and cinematically evocative way. Why are you so drawn to this city?
The story demanded being set in Paris. My role was to try to do justice to the city which has been written about so widely. I focused on the spaces which have personal meaning for me, like the Polish Bookshop.

7. You and your family fled Poland when you were still young. In what way has this shaped the Karina you are today?
In every way. A migratory background marks people the way gender, class and race do – it influences everything you do in life. We fled the then-communist Poland in 1987 when I was ten years old and settled in Austria where my parents still live. They wanted a life of freedom and opportunities for us. They certainly succeeded!

8. What is your favourite thing about South Africa?
Multiculturalism – it is what made me feel at home here the moment I stepped off my first flight to Cape Town a decade ago.

9. And your least favourite thing?
Fear.

10. You and your husband André are both masterful tellers of love stories. Will you ever write about your own romance in fictional form?
If we ever did, our love story would not need the veil of fiction to be told. In a way we are telling it already, in bits and pieces of our non-fiction writing.

First published in Afrikaans in Beeld.