Author Archives: Karina

Unknown's avatar

About Karina

Author living in Cape Town.

Book mark: Tokoloshe Song by Andrew Salomon

Tokoloshe SongJust when he thought that his life is going to be all peace and quiet after giving up a career as a lawyer to restore old boats, Richard is called in for an emergency at the shelter for mistreated tokoloshes where he volunteers. There he meets Lun. After a false start, they become friends and embark on a roller-coaster adventure which takes them across the country to Nieu Bethesda and back in search of the grain of truth at the heart of an ancient myth. They receive assistance from Emily and Sindiwe, midwives of a secret order. Hot on their heels are a ruthless drug lord and a world-class assassin.
I’m not a fantasy fan, but I have enjoyed some of Salomon’s award-winning short fiction. Tokoloshe Song is his debut novel for adults and is as delightful and entertaining as his stories.

Tokoloshe Song
by Andrew Salomon
Umuzi, 2014

Book mark: Station Eleven by Emily St. John Mandel

Station ElevenWithin a short period of time a lethal flu wipes out 99% of the world’s population. Civilisation as we know it grinds to an abrupt halt. Station Eleven tells the story of a handful of survivors of the mayhem which ensues. At its centre is the resourceful Kirsten of the Travelling Symphony, a group of actors and musicians performing Shakespeare.

Spanning a few decades before and after the collapse, Mandel draws a bleak picture of humanity, but the darkness is penetrated by flashes of light and goodwill. Creativity, art, self-expression pave the way to society’s precarious rebirth as the individual characters realise how strongly the drive to be remembered is anchored within them. A thrilling page-turner which is simultaneously though-provoking and entertaining, Station Eleven is being deservedly compared to the likes of Margaret Atwood. This is speculative fiction at its best.

Station Eleven
by Emily St. John Mandel
Picador, 2014

Christmas Story: A Silver Spoon

IMGP2891Sanna never liked polishing the silver. She would have preferred to iron the white damask tablecloth the new Mrs Joubert brought over from home. She told Sanna her mother had given it to her as a parting present. Sanna listens to the huffs and puffs of the iron in the next room. She puts aside the last spoon and continues with the forks. Forks are tricky. You have to work the cloth carefully around the tines; the task is too much for her impatient chubby fingers. She takes a deep breath, trying to keep her cool. A cinnamony smell penetrates her nostrils. She looks at the big pot of stewing dried fruit, bubbling happily on the stove. It could also be the half-moon cookies Missus has put in the oven.

Rubbing Silvo into the cutlery, Sanna thinks of going home this afternoon; of her sister’s house in Worcester; the kitchen there buzzing with activities; her nieces and nephews, eagerly awaiting the next morning. She takes a sip of coffee Mrs Joubert has made for her before ironing. She still cannot get used to the idea of having anything served to her, especially not by the Missus – or Zosia, as she insists on being called. Old Mrs Joubert would never even have thought of it. But this one, this one was not born and bred here; she is different with her strange European ways. Sanna likes her.

In the other room, Zosia glides the iron over the intricate patterns of the white tablecloth. She breathes in the damp, warm smell of ironing. Her mother taught her to do it, insisting early on that she must know how to take care of herself. Housework always makes Zosia feel close to her. In this house, having Sanna to do most of it for her is difficult to get used to, but she understands the necessity of providing her with a job. When the tablecloth is ready, Zosia walks to the dining room holding it up between her outstretched arms. She places it carefully on the table and smoothes it around the edges with her hands. She puts the red placemats she bought for the occasion on top. She can already see how beautiful the silver will look on them.

‘Sanna, how are you coming along?’ Zosia calls into the kitchen.

‘Almost ready,’ Sanna replies, polishing the last knife.

Zosia puts long red candles on the table, then takes out some plates and glasses from the side cupboard. As Sanna comes through with the cutlery a few minutes later, Zosia is busy placing red and silver cone-shaped napkins into the neatly arranged soup plates.

Sanna sees the three placemats and is perplexed, but remains silent in her inscrutable way. Zosia smiles at her raised eyebrows and, bending over the table to put another wineglass into place, explains: ‘We have a tradition in Poland. On Christmas Eve, we always set the table for one extra person, just in case somebody stops by.’

Sanna shakes her head slowly, placing the cutlery next to the plates. ‘The most important Christmas meal on the 24th; twelve different dishes; no meat, just fish; waiting for the first star in the sky to appear before sitting down to dinner; opening presents on Christmas Eve; setting the table for a guest who never comes…’ In her head, Sanna repeats the list of strange customs Zosia has told her about in the last few days.

Seeing the dubious look on Sanna’s face, Zosia continues, arranging a few fir twigs around the tall candles. ‘There is a German saying, Andere Länder, andere Sitten. Other countries, other customs. I won’t be cooking twelve dishes for Johan and me tonight though,’ she reassures Sanna. ‘But there won’t be any meat, and we’ll have to cheat about the first star. We’ll starve if we wait for one to appear in this summer sky,’ Zosia looks outside. ‘In Europe we have snow for Christmas,’ she says and turns back to Sanna, ‘What is your sister cooking for your family?’

‘Chicken.’ Sanna does not say more. The single word fills her memory with smells and sounds of home and she looks at the grandfather’s clock in the dining room. Zosia catches the furtive glance. ‘You must be eager to go. Please, could you just vacuum the lounge and put the fresh linen on I have laid out on our bed.’ Before Sanna turns away, she adds, ‘Thank you,’ and, ‘I will make a small salad for us for lunch, and make sure that Johan remembers about taking you to the station on time.’

The ancient Hoover reminds Sanna of the old Mrs Joubert, always insisting on having the house vacuumed daily. She never said ‘please’ or ‘thank you.’ She passed away at the beginning of the year. After the funeral Johan decided to move back home with his outlandish wife whom he had married overseas without inviting the family. His mother never forgave him for it.

Sanna tucks the duvet in underneath the mattress and smoothes over the bed before putting the pillows in place. She hears Zosia call that lunch is ready. In the kitchen, she picks up her plate and takes it to her room in the back of the house where she always eats alone.

‘I wish she’d join us,’ Zosia tells her husband sitting at the kitchen table.

‘Years of conditioning. And you know how shy she is; give her time.’

Zosia sighs impatiently.

In her room, Sanna enjoys the salad. Her little suitcase is packed and ready to go. An extra bag leans on it. With the unexpectedly generous Christmas bonus she has bought some treats for her family.
Sanna wants to wash up the dishes after lunch, but Zosia tells her to leave them. ‘I can do it, no problem, and Johan is ready to take you to the station.’

‘Thank you,’ Sanna says and before she turns to go adds a shy ‘Merry Christmas’.

‘And merry Christmas to you, too. Enjoy your holiday, Sanna. We’ll see you after New Year.’ Zosia walks up to her and gives her a cautious hug. Sanna does not know how to react. She rushes out of the kitchen.
At the station, the bus is late. Johan insists on staying until it arrives, but Sanna tells him not to worry and to go back home. Half an hour later it is announced that the bus to Worcester has broken down and no other will be going there until the next day.

Back at the house, Johan helps Zosia with the preparations for their first Christmas dinner together. For the first time in years he is excited about the festive season. Overseas there was nobody really to share the occasion with before they met, and he never felt like coming back home to his mother’s overbearing presence and suffocating piety. He’d left on a job contract the moment an opportunity arose. Meeting Zosia on one of his business trips to Berlin where she was working at the time was like discovering a new continent.

All day long Johan has been watching her rituals for the festivities, which felt refreshingly like a safety net and not a wet bag. He has been delegated to set up the Christmas tree and get fresh Cape salmon from town. Zosia insisted on a local fish and recipe for tonight. He happily obliged.

While she is busy with the last touches on the dinner, Johan goes into the dining room to admire the decorations on the table and choose a wine to go with the Cape salmon. They both look up at the sound of the door bell.

‘Who could…?’ Johan strides over to the intercom, followed by Zosia, wiping both hands on her apron.

‘Beggars?’ she asks.

‘No, it’s Sanna!’ Johan buzzes the gate open for their housekeeper. Flustered, she explains about the bus. While Johan considers other options for getting Sanna safe home for Christmas, Zosia comes up with a simple solution.

‘You must stay with us for dinner, Sanna. Please, we would love to have you. And first thing tomorrow morning, we can both take you to your family in Worcester.’

‘But…’ Sanna is at a loss for words.

‘No buts, please, come. You can tell me how the salmon turned out. And for once, the extra plate at the Christmas table won’t remain empty.’ She smiles reassuringly and ushers Sanna through to the dining room, taking her luggage from her.

A while later Zosia is busy dishing out the food in the kitchen and Johan opens a bottle of wine. Sanna sits alone at the decorated Christmas table and does not know what to do with her fidgeting hands. With the left one she raises her fork, turns it, and watches the candlelight reflect off its polished tines. She puts it down again. Then with her right hand she picks up the spoon and inspects her image in its concave surface. Upside down, her head looks small, her torso elongated. She likes the slimmer version of herself. She turns the spoon and sees her still distorted face, but now the right way up, staring back. Her mouth is bigger than all her other features. She twitches her lips, opens them slightly and smiles. Slowly, from ear to ear.

‘Dinner is served,’ Zosia enters with the salmon from the kitchen.

First published as “’N SILWER LEPEL” in By on 20 December 2008.

Book mark: The Night Watchman by Richard Zimler

The Night WatchmanChief Inspector Henrique Monroe of the Lisbon Police Department is brilliant at what he does, but gets help from a very unusual source. When a successful businessman is murdered under strange circumstances in his home, Monroe is called to investigate. The complex case awakens memories of Monroe’s distant past of growing up in Colorado with his younger brother Ernie, and threatens to unravel the fragile new reality the cop had been constructing around himself in Portugal ever since. His search for truth takes him to the country’s highest echelons of power. What he finds is horrifying, but tragically common. The Night Watchman portrays a troubled, corrupt society any South African reader will recognise. Tense, deeply felt, the novel asks a pivotal question: “Was it a paradox that truths left unspoken ended up taking away your voice?” The disquieting answers it provides are heart-breaking.

The Night Watchman
by Richard Zimler
Corsair, 2014

Book mark first published in the Cape Times on 12 December 2014.

In 2007, I reviewed one other novel by Richard Zimler:

The Seventh GateThe Seventh Gate
Constable, 2007

In 1990 the discovery of seven manuscripts of the sixteenth-century Kabbalist Berekiah Zarco sparked Richard Zimler’s internationally bestselling novel The Last Kabbalist of Lisbon (1996). Following its success, Zimler, an American living in Portugal, published two other novels about the Portuguese-Jewish Zarco family: Hunting Midnight (2003) and Guardian of the Dawn (2005).

The Last Kabbalist of Lisbon explores the fates of the Jewish community at the time of the Lisbon massacre of April 1506. Partly set in nineteenth-century Africa, Hunting Midnight is the story of a friendship between the Portuguese John Zarco Stewart and an African healer and freed slave named Midnight. Guardian of the Dawn takes us back to Goa at the time of the Catholic Inquisition in the seventeenth century.

The fourth novel in Zimler’s independent historical novels series is The Seventh Gate. Set in Berlin of the 1930s, it portrays Hitler’s brutal rise to power and the effects it had on the Jewish community and the disabled long before Second World War began. It subtly exposes how a whole nation could succumb to the madness of the Nazi regime; some willingly, others under extreme pressure. Meticulously researched and vividly brought to life, Zimler’s Berlin of the 1930s is a nightmarish place where loyalty between family members and friends as well as each individual’s sanity and heroism are tested to the limits.

In spite of its harrowing topic, The Seventh Gate is the kind of novel that makes you relax after the first twenty pages, knowing that there is another five hundred in store for you before the final curtain falls. Driven by superbly drawn characters, strong dialogues, and the unusual but beautifully touching love story at its centre, The Seventh Gate is a tribute to all the people who suffered similar fates at the hand of the Nazis as the characters in the novel.

The story is told by Sophie. In the Preface of the novel she is a fragile eighty-nine year old living in America and being taken care of by her nephew. After a spell in the hospital she decides to entrust him with her memories of the past when she was a teenage German girl in Berlin of the 30s and the world began to fall to pieces.

Sophie tells the story of Isaac Zarco, a descendant of the Kabbalist Berekiah Zarco, and the members of The Ring, now a clandestine group of Jewish activists trying to fight the Nazi regime. It is also the story of her brother Hansi, a distant child whom Sophie loves dearly and whose life is threatened by the Nazis. Misunderstood by her mother, betrayed by her father and Tonio, the boy she has a crush on, Sophie has to make some tough choices, trying to protect Hansi and her friends from the Nazi onslaught. The sudden wave of mysterious murders, disappearances and forced sterilizations makes her and Isaac realise that Berekiah Zarco’s worst fears might be about to come true, centuries after he wrote his manuscripts.

Artistically talented and mischievous, Sophie is a heroine one will not easily forget. Her passion for the cinema, her growing sense of righteousness, her awakening sexuality, and her selfless devotion to the people she loves sparkle with authenticity. The novel is interspersed with the poignant sketches she draws of her friends, adding to this overall effect.

Much has been written on Hitler’s Germany, but Zimler’s The Seventh Gate reveals a side of its inhumane machinery which has not been as prominent in the renderings of the time as it should have been, as the novel carefully examines how the horrors we associate with the time of the war already started happening in the early 30s with everyone watching almost in complete silence. Zimler probes the questions of how power is consolidated by intimidation and propagandistic lies, but also shows how small acts of courage and integrity can stand in its way. As Sophie comments on her younger self: “I’m still too young to know that people need only be frightened for their lives to swear that night is day. And that they can believe it’s really true.”

In an interview with Boyd Tonkin, Zimler stated that the relationship between the siblings Hansi and Sophie is his “monument” to the victims of the Nazi war on the disabled. The author expressed his wish that “every reader who reads the book with an open heart will be devastated by what happens to them both.” Because of the powerful storytelling of The Seventh Gate one cannot help but be.

Review first published in the Sunday Independent on 25 November 2007.

Book mark: Playing House by Katherine Stansfield

Playing House_book markPlaying House is the debut poetry collection by the author of The Visitor (2013), a remarkable novel about loss and longing in Cornwall at the turn of the last century. As in her rich prose, in her poetry Katherine Stansfield has an eye for everyday detail. Her poems make us pause and consider. Whether describing a cat trying to get to an interesting-smelling morsel under the fridge, the auction of one of John Lennon’s teeth, the recipe for a crisp sandwich, or “raspberries lured to ripeness by the rain”, she moves from the familiar to the surprising and enchants in the process. Her images are clearly defined. The voice is authentic, subtle but strong. The title of the volume comes from “First Place”, a poem about a couple’s attempts at adult life. Full of thought, fun and beauty, Playing House is the real deal.

Playing House
by Katherine Stansfield
Seren, 2014

An edited version of this book mark was first published in the Cape Times on 5 December 2014.

Book mark: The Dig by Cynan Jones

The Dig_book markCynan Jones is a name to remember. The Dig is his fourth novel. It is an astounding piece of writing. Reading Jones one is reminded of the greats of English-language literature – Hemingway, Steinbeck or Virginia Woolf come to mind, each for different reasons. But Jones has a voice all his own. His prose is pure muscle and yet it conveys the most delicate of impressions and emotions. The Dig encompasses the best and worst of humanity. It tells the story of two men: a grieving Welsh sheep farmer and a brutal hunter involved in the illegal blood sport of badger baiting. The novel does not shy away from the horror of cruelty against animals, nor those moments which are unknowable, just before a life is extinguished. Yet it is most haunting when capturing what remains unsaid, as nature and life continue in the landscape of the human heart.

The Dig
by Cynan Jones
Granta, 2014

An edited version of this book mark was first published in the Cape Times on 5 December 2014.

Book mark: Unexpected Lessons in Love by Bernardine Bishop

Unexpected Lessons in Love_book markThe retired psychotherapist Cecilia and her novelist friend Helen are courageously battling cancer. The experience of undergoing a colostomy and living with a stoma binds them. Both are confronted with motherhood in the autumn of their lives: Cecilia, when her son Ian dumps a baby she had no idea existed on her doorstep, and Helen, when she receives a message from the daughter she’d given up for adoption in her twenties. They and their families discover that love has a way of finding you when you least expect it.

The same applies to Unexpected Lessons in Love. The book is that strange creature: a novel which is not exactly well written, clumsy and implausible at times, but one which has such irresistible charm that it is impossible not to love. Sadly, the author died of cancer around the time of publication.

Unexpected Lessons in Love
by Bernardine Bishop
John Murray, 2013

An edited version of this book mark appeared in the Cape Times on 5 December 2014.

5 December

The 5th of December has been very dear to my heart since 2004 when I went to the airport in Vienna to pick up an author invited to the “1st Joint Symposium: South Africa in Perspective” at the University of Salzburg which I’d helped organise. The encounter changed my life. The author was André Brink. We were married one-and-a-half years later in Cape Town, my home for the past nine years.

In 2007, on 9 October, André and I went to see Nelson Mandela at his home in Cape Town.
Madiba1
It was another defining moment of my life. Jakes Gerwel and Zelda la Grange were also present. In my notes after the meeting I wrote “very caring and supportive” of Ms La Grange. It was touching to see her interacting with Madiba. We brought books with us, both Madiba and Ms La Grange being avid readers. The talk evolved around Buckingham Palace, rugby, Lech Wałęsa, literature, and the past. Before we left, I held Madiba’s right hand in both of mine and said thank you with tears in my eyes (again now pressing for release years later, just remembering the moment). The stories people tell about being inspired, wanting to be a better person, of glowing for days after meeting Madiba are all true: that was the magic of his presence, a charisma like no other.

At the time, Madiba was in town to support his wife, Graça Machel. Their relationship testifies to the fact that it is never too late for love and one should never be afraid to reach out for it.
MINOLTA DIGITAL CAMERA
Because Madiba died on the 5th of December a year ago, the personal joy of this particular day will forever be infused with a deep sadness for us. His inscription in our copy of Mandela: The Authorized Portrait (2006) will, however, always feel like a blessing.
Mandela the Authorized Portrait

Review: Dare We Hope? Facing Our Past to Find a New Future by by Pumla Gobodo-Madikizela

Dare We HopePumla Gobodo-Madikizela’s collection of articles published between 1995 and 2014 offers a fascinating glimpse into the main issues plaguing contemporary South Africa. A professor in psychology, Gobodo-Madikizela was deeply involved in the proceedings of the TRC and wrote the award-winning A Human Being Died that Night, one of the most relevant and haunting books of recent years. It tells the story of her interaction with Eugene de Kock, the apartheid assassin known as Prime Evil.

Gobodo-Madikizela is a leading authority in research on trauma, memory and forgiveness. Many articles in Dare We Hope? focus on remembrance and reconciliation as relating to race, gender and power. Gobodo-Madikizela puts her finger on the insidious everyday ways we work against a common future by “attacking one another…in private and in public”.

Having recognised the seeds of discontent being sown and germinating in our society, Gobodo-Madikizela warns against the next revolution, “one in which the masses rise against a new breed of beneficiaries of privilege.” The “never-ending cycle of nothingness” that is poverty and lack of aspiration “strips away the humanity of individuals.” Unless we can create opportunities for people to lead meaningful lives, we will have no future as a society.

A large section of the book is devoted to dilemmas of leadership and morality. It is an incisive analysis of the “terrible shame”, the “moral rot” of the Zuma years and the terrifying legacy they are threatening to leave behind: “From the beginning, Zuma’s presidency was destined to corrupt the soul of the country.”

Gobodo-Madikizela identifies what is “missing in our democracy”: “a spirit of human solidarity that transcends the commitment to membership of one’s racial group or political party.” Her plea is for a shared humanity, for the understanding and acceptance of our diverse grievances, traumas and complicities, and, crucially, for the triumph of moral responsibility.

The articles in this book repeatedly call for dialogue: “Listening to one another and acknowledging the experience of loss on both sides would be a start.” It is a call for the employment of that wonderful faculty we all have in common: our imagination. It is also a call for moving beyond denial and revenge into a space where guilt can be articulated and forgiveness becomes a lived reality.

Dare We Hope? is an extremely sobering read. Gobodo-Madikizela is under no illusion that what she is narrating is anything but “a gruesome tale”. However, her voice is one of wisdom and, despite all, deep-seeded hope. To ignore her insights and not to heed her warnings could prove detrimental not only to individuals but to society at large. This collection is a much needed reminder that South Africa is in a dire need of more dissenting voices and, even more importantly, true leaders who can lead by example. Gobodo-Madikizela’s vision is a vital contribution in both respects.

Dare we hope? Perhaps. One thing is for certain; a lot of work needs to be done to rekindle the spark of an earlier promise.

Dare We Hope? Facing Our Past to Find a New Future
by Pumla Gobodo-Madikizela
Tafelberg, 2014

Nadine Gordimer – born on 20 November 1923

Photo by Victor Dlamini

Photo by Victor Dlamini

Today would have been Nadine Gordimer’s 91st birthday.

A tribute to Nadine Gordimer:

Nadine Gordimer changed my life. One of her short stories triggered my interest in South African literature. Her other short stories inspired me to write my own. She was an incisive essayist with the power to enrich our understanding of the world. I learned so much about literature, the human heart, South Africa and beyond through her writing. None to Accompany Me helped me figure out what kind of woman I wanted to be. I spent six intense years reading Gordimer’s work and its criticism for my doctoral thesis and I did not regret my choice of topic for a single day. I return to her work with eagerness and pleasure since then.

An interview with Nadine Gordimer on the occasion of her 88th birthday (2011):

Still in Gordimer’s lounge, I dare ask a personal question.

‘What makes you really happy?’

A short silence; my heart stops.

‘André would say chocolate,’ I volunteer out of desperation.

‘Well, that’s an evasive answer… I’m also very fond of black chocolate, but of course that’s a taste happiness.’

Another pause.

‘I have been unbelievably lucky by having forty-eight years with the love of my life, and I have that to treasure. Sometimes it is painful to do so, but other times…it’s there, I had it.’

Her life and work continue to inspire. She is missed.