Tag Archives: Andrew Salomon

Review: Incredible Journey – Stories that Move You, edited by Joanne Hichens

incredible-journey“Every nation needs its awkward truth-tellers”, Sindiwe Magona quotes Ben Okri in the foreword to Incredible Journey: Stories that Move You, the latest in the Short.Sharp.Stories Awards anthologies, edited by a champion of the South African short story and founder of the project, Joanne Hichens. Magona makes two succinct points about the collection: it shows “the country’s rich diversity that, perhaps, is found only here and nowhere else”, and, it allows the reader “to better understand intimate secrets, dreams, yearnings, fears and the wounding that walks our streets, all too often looking as normal as you please.”

Produced in conjunction with the National Arts Festival, the anthology includes twenty stories, the longlisted and winning entries of the Short.Sharp.Stories Awards, and is the third of its kind, after Bloody Satisfied and Adults Only. Hichens understands “that there are many stories to tell, from entirely different perspectives, sensibilities and cultures; we are hardly a one-dimensional society, nor would we want to be” and aims to be “inclusive and representational”. The project succeeds on all these fronts. The book includes diverse voices and many striking stories – it will offer something for most people, whatever your reading preferences might be.

The winning story, “Train 124” by Andrew Salomon, features an uncanny first-person narrator on his way to a doctor’s appointment. His reading and interpretation of the world around him are scary, to say the least. During the train ride, Salomon manages to create a sense of tension and claustrophobia despite the fact that his character is on the move. Original, crisp writing completes the winning package.

Two short stories from the collection were shortlisted for the prestigious Caine Prize: Bongani Kona’s superb “At Your Requiem”, and Lidudumalingani’s Short.Sharp.Stories Awards runner-up, “Memories We Lost”, which eventually won the Caine Prize. These two young voices hold so much promise that one can only watch and wonder as their talents unfold.

The other runner-up in the collection is the remarkable “The Infant Odysseus” in which Bridget Pitt tells the story of a woman who spots a baby crawling in a busy street of Johannesburg and decides to abandon her husband in their car to rescue the child. The encounter triggers a chain of emotions which lead her to make life-changing decisions.

Authors interpreted the theme of the competition in myriad ways. The most obvious take, a physical journey from point A to B, has been emphasised only in a few of the stories. The others concentrate on an internal transitioning from one state of being to another. Some combine both to great effect. The subtitle of the anthology says it all: “stories that move you.” The most incredible journeys happen inside:

“I’m sitting by the jacaranda tree where the story of your life ends. I can’t rewind time and bring you back. What happened between us – between you, Aunt Julia and me – at the house on St. Patrick’s Road, burned through our lives like mountain fire in a high wind. There’s nothing left. Everything is ravaged.” (Bongani Kona, “At Your Requiem”)

In Sean Mayne’s “The Pyramid of Light”, two conscripts get more than they ever bargained for when hitchhiking home on a pass. Homophobia and a search for personal purpose are the subject of Tebello Mzamo’s poignant “My Room”. Máire Fisher exposes tense family dynamics in “Space”, in which a small boy dreams of the stars as he clandestinely watches the night sky through his father’s telescope.

It is fascinating to see how different genres feed into the mix of the anthology. Dan Maré in “Watermeid” or Chantelle Gray van Heerden in “Voodoo Karma” do not shy away from fable and magic realist elements in their stories. In “The Island”, Megan Ross reimagines an initiation ritual for young women along the lines of the kind which Xhosa boys undergo to become men. Merle Grace examines a myth surrounding people with albinism in “Disappeared”. And Stephen Symons writes about a Cape Town of the not too distant future in his speculative story “Red Dust”.

A personal favourite in the collection is Tiffany Kagure Mugo’s “Return Unknown”. It centres on a heavy trunk the narrator’s grandmother brings with her into the house when her family decides it is time for her to move in with them in her old age. The story ends with the warmth of the trunk to the narrator’s touch, and one’s heart.

Publisher’s choice went to Bobby Jordan’s “Shortcut” which recounts a man’s tumultuous trip on the Bedford Road between Johannesburg and Grahamstown late at night. The story has a magnificent ending, and since it is the last one in the anthology, it leaves the reader deeply satisfied.

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Literary Couples: Alex Smith and Andrew Salomon

This is the first in a series of posts I would like to devote to Literary Couples. Think Mary Wollstonecraft and William Godwin, Mary Shelley and Percy Bysshe Shelley, Virginia Woolf and Leonard Woolf, or Siri Hustvedt and Paul Auster.

I would like to begin, however, locally and very much in the present with two dear friends: Alex Smith and Andrew Salomon.

Alex, Andrew and their son Elias

Alex, Andrew and their son Elias


Photo: RHS

Alex Smith is the author of Algeria’s Way, Four Drunk Beauties, Agency Blue and Drinking from the Dragon’s Well. Her writing has been short-listed for the SA Pen Literary Award and the Cain Prize for African writing, and has won a Sanlam Prize for Youth Literature and a Nielsen Booksellers’ Choice Award. She lives in Cape Town with her partner, their book-loving baby boy and their dogs. Her latest novel is Devilskein & Dearlove.

Andrew Salomon is the author of a young adult novel, The Chrysalis, and his short stories have appeared in several journals and collections. He received a PEN/ Studzinski Literary Award for African Fiction in 2009 and was shortlisted for the 2011 Terry Pratchett First Novel Award. He lives in Cape Town, but his work as an archaeologist has taken him all over southern Africa and a few places beyond. Tokoloshe Song is his first novel for adults.

Alex and Andrew allowed me to ask them some questions:

Please describe your partner’s creative process.
Andrew: Alex gets an idea – whether it be a character or a situation, or something else – and she writes away. She has an amazing ability to get the words down, to just write thousands of words at a time. Just a few months after our son was born she had to write three novellas within one month, and she did.

Alex: I think we are both a bit secretive about new ideas – or maybe I just am! I often see Andrew typing up notes – fragments of things he has seen or words that have intrigued him – and I’ll come across files on our shared desktop (laptop that is) with extraordinary file names; I don’t open them, but when I inquire, it always turns out that the file is a page of these notes, which could for example be graffiti he has spotted on his way home in the train. So he hoards ideas, that’s probably the beginning of his ‘creative process’. Then he takes the plunge and starts writing a new novel or story. To be honest we have never discussed anything like our ‘creative processes’ so I have no idea what happens after that. I do know that he likes to get a first draft done in a focused period of time – so during that time he becomes quite single-minded about the task of writing; he’ll set himself a daily word target, that sort of thing. I also know that when it comes to editing, he is meticulous, far more so than I am – I always feel like a bit of a lazy slut in comparison to him when it comes to editing.

Are you each other’s first readers?
Andrew: Definitely, I know I can count on Alex to be truthful in her assessment, but also kind in the way she delivers it.

What is your favourite piece written by your partner?
Andrew: Alex’s latest novel, Devilskein and Dearlove is a wonderful read, and I am also a big fan of the book that came from her experiences living and working in China, Drinking from The Dragon’s Well – it’s a book that depicts her experiences very truthfully and that also paints an intriguing picture of a place caught in extremely rapid change, so rapid that now it could probably serve as an historical snapshot.

What is the best and worst aspect of sharing a life with another writer?
Alex: Well, I’m not really one to dwell on negatives, but if I must then probably the worst thing is that you have to be really thick-skinned as a writer because it entails all manner of disappointments – from awards you are shortlisted for but do not win to flat out rejections on various projects. So when you share a life with another writer, you experience those slings and arrows in duplicate – those aimed at yourself and those experienced by your partner. For me the best thing is just having somebody very close who loves books, loves stories, gets excited by possible plots and characters and even possible names, and who also really understands what this strange business of writing is like, both its wonders and its realities – small things like knowing what editing actually is (it’s interesting how many non-writers imagine that novels fall out of the heads of their authors in pristine condition and all ready for the typesetter).

Andrew: The best aspect is that you share your life with someone who understands the deep desire to write, to tell a story. So there’s never any explaining necessary about the need for time and space to do this, and we support each other in creating that time and place.
I’m not sure there really is a ‘worst’ aspect but Alex has an uncanny ability to misplace bookmarks, so she keeps borrowing mine, and I have a tendency to use bookmarks that usually have some kind of sentimental meaning to me, which I get to keep for only a short time until they get sent to the secret place of bookmark-no-return. Also, both of us being book-lovers, when we moved in together, our already-substantial book collections got combined into a giant collection and now we seriously need a room just for books, but there’s no chance of that in our postage stamp of a house!

D&DTokoloshe SongYou can win a copy of Alex’s and Andrew’s latest titles in my BOOK GIVEAWAY.

Even better: Best of second half of 2014 book giveaway

GiveawayIn July last year, I listed here my best reads of the first half of 2014 and gave one of the titles away to a randomly chosen person who commented on the post. The lucky winner was Solomon Meyer and I sincerely hope he has enjoyed his copy of The Maze Runner.

I would like to do the same for the second half of 2014 which turned out to be an even greater reading success than the first. Old friends & new discoveries made the list. I decided, however, to concentrate on fiction & non-fiction only. In no particular order:

?????????????????????????I love historical fiction and it hardly ever comes better than Claire Robertson’s The Spiral House (Umuzi, 2013). I heard Robertson speak at the FLF last year and was immediately intrigued. During the festival, the novel was shortlisted for the Sunday Times Fiction Prize and won subsequently to my, and many other readers’, delight. Written in a mesmerising prose which takes you into the heart of local history, the novel is a rare gem which should not be missed. Apart from anything else it is such a beautifully produced book. Well done, Umuzi!

The VisitorAnother historical title, Katherine Stansfield’s The Visitor (Parthian, 2014), will feature on all my favourites lists for a long time to come. I had the pleasure of reviewing it for the Cape Times. A gift from Robert, a dear friend with whom I studied and practised fencing at the University of Wales in Aberystwyth, this beautiful debut novel came to me when it was most needed. Set in a fictional fishing village in Cornwall towards the end of the nineteenth and the beginning of the twentieth century, it tells the story of three friends and their community. The sea is their constant companion and witness to the love, loss and longing unfolding at its shore. Last year, I wrote an essay about the sea and its influence on my own life as a woman and a writer. The Visitor has triggered many memories and helped me focus on the task at hand. Stansfield is also a remarkable poet. Her debut collection Playing House is a delight.

People's PlatformI love engaging with the internet even though I am deeply aware of its pitfalls. I still remember AltaVista, the first chat rooms, or waiting for a page to open for twenty minutes (if you were lucky!) while doing my homework on the side. I have been fascinated by the medium for nearly as long as it exists on a global scale. The People’s Platform – Taking Back Power and Culture in the Digital Age by Astra Taylor (Fourth Estate, 2014) is one of those must reads if you want to consciously participate in the digital age and not be simply reduced to a consumer, abused by power and greed. Culture is one of our most precious resources and treasures. To allow it to waste away in this precarious environment is criminal.

Dont Film YourselfAnother must for the internet age: Don’t Film Yourself Having Sex and Other Legal Advice for the Age of Social Media (Penguin, 2014) by Emma Sadleir and Tamsyn de Beer looks at the legal implications of our interaction with social media. The authors spell out the dos and don’ts of the diverse platforms: Twitter, Facebook, etc. The book is informative and strangely enough very funny despite telling some very grim internet stories of people losing their reputations, jobs, friends and serious money over online blunders. Also essential reading for anyone wanting to marry Kate Winslet.

Divided LivesAnybody who reads me will know how much I admire Lyndall Gordon‘s work. Her latest, Divided Lives (Virago, 2014), raises my admiration to another level. Just looking at the shelf where I keep all her wise, powerful biographies and memoirs reassures me. She has brought so much sustenance and joy into my life as a reader, writer and woman that I am certain I would be a very different, and much poorer, Karina today without having encountered her books. May there be many more to come.

adultsonlycoverA rather racy read, and not all the stories in this anthology were my cup of tea, but there were some which I found very exciting, on the literary not literal level, of course ;) Showcasing some of the talent we have here in South Africa, these erotic short stories cater for nearly all tastes. Funny, thrilling, and exquisite at times, it is a rewarding read (see my review: Adults Only – Stories of Love, Lust, Sex and Sensuality edited by Joanne Hichens, Mercury, 2014).

A_Man_of_Good_Hope_frontA Man of Good Hope (Jonathan Ball, 2014) is Jonny Steinberg at his best. I have a friend who says that when she grows up she wants to be Jonny Steinberg, and I can’t blame her. In his latest, Steinberg tells the story of a man on the most remarkable journey which takes him from Mogadishu via South Africa to even more distant shores. Asad Abdullahi goes through hell and back and on his trip teaches us what it means to hope and dream when it seems that all is in vein. I listened to and interviewed Steinberg during the Open Book Festival last year. For my reflections on the festival see “The Image of a Pie”.

invisible_furies_coverAnother of my favourite authors, Michiel Heyns, launched A Sportful Malice at the FLF last year and the novel featured in my July giveaway, but later in the year I turned to his previous title, Invisible Furies (Jonathan Ball, 2012) and enjoyed it just as much, not only because it is set in my beloved Paris. After a long absence, Christopher travels to Paris where he encounters a world of beauty and intrigue. He is there to help Eric, the son of a friend, come to his senses and return to South Africa. But Eric has some surprises in store for him. Nothing is what it seems in the City of Love.

The Snowden FilesThe Snowden Files – The Inside Story of the World’s Most Wanted Man by Luke Harding (Guardian Books/Faber and Faber, 2014) is another eye-opener when it comes to the workings of the internet and governments all over the world. Harding reveals the background to the Snowden story and all its scary implications. A tense read of history unfolding in front of our eyes. I hope there will be a follow-up book and some kind of decent resolution to this saga on all fronts.

The Alibi ClubA discovery from last year’s Open Book Festival, Jaco van Schalkwyk’s The Alibi Club (Umuzi, 2014) is one of the most refreshing South African fiction debuts of the last few years. Set in New York in the decade around 9/11, it tells the story of a South African working at a club and interacting with its regulars in the heart of Brooklyn. Tight, impact prose, distinct characters, well-paced storytelling – the stuff of a great promise. I am very curious what Van Schalkwyk will do next.

Travels with EpicurusNot only a delightful book, but a reminder of what good booksellers are for: Travels with Epicurus – Meditations from a Greek Island on the Pleasures of Old Age (Oneworld, 2013) by Daniel Klein was recommended to me by Johan Hugo from the Protea Bookshop in Rondebosch. Johan and I have been talking books for years now, so he knows what André or I might enjoy. With this enlightening read he was spot on for both of us. We literally devoured the little book. It is one of those that makes you feel good about the world and your place in it. And it was only written because of Klein’s initial fear of acquiring dentures… Inspiration is a curious thing indeed.

LullabyThis is also a book Johan introduced me to, knowing that I would be interested in another Polish-speaking author writing in English: Anna’s family emigrates in the 1980s before the changeover in Poland and settles in New York. Missing her roots and extended family, every summer Anna returns to Poland on her own and spends the holidays in her old neighbourhood where she befriends Justyna and Kamila. Together, they survive the ups and downs of puberty: jealousies, hang-ups about their developing bodies, the turbulences of first loves, budding sexualities and substance abuse. Some things go horribly wrong and one day Anna refuses to come back for another visit. Years later, another tragedy brings the three friends together again. Poland is undergoing its own transition while the young women face the new reality and try to pick up the pieces of their broken dreams. The Lullaby of Polish Girls (Quercus, 2013) by Dagmara Dominczyk is a fast-paced story of growing up in a migratory world.

MoonTigerI have a friend whom I see roughly once a year for coffee or lunch. Every our encounter inspires me and gives me food for thought for the next year. The last time we spoke, Penelope Lively came up and he recommended that I read Moon Tiger (André Deutsch, 1987). I have read some of Lively’s other novels and there was even a time when I contemplated writing a thesis on her work, but it was not meant to be. Moon Tiger, however, made me want to go back to her writing again. It is an intense, beautiful study of the nature of history with a grand love story at its centre.

TalesAnother local novel that made a huge impact on me this year: Imraan Coovadia’s Tales of the Metric System (Umuzi, 2014). I was asked to review it for LitNet and decided to do some catch-up Coovadia reading in the process, which proved most entertaining. But this latest is, for me, Coovadia’s best up to date. We speak about ‘post-apartheid’ fiction all the time, but I sometimes wonder how many novels deserve the title in the sense that they have been truly written from that perspective. Tales of the Metric System is definitely one of them.

The DigAn absolute highlight of last year’s and this year’s reading is the discovery of the Welsh author, Cynan Jones. I subscribe to the New Welsh Review. I was reading an old issue of the magazine which included a review of Jones’s rewriting of a Welsh myth, Bird, Blood, Snow (Seren, 2012) and I was intrigued. I googled, as one does, and found that he’d written a novel with a central Polish character, Everything I Found on the Beach (Parthian, 2011). A Welsh author writing a Polish character was too much to resist, so I ordered the novel and Jones’s latest, The Dig (Granta, 2014). Last night, I started The Long Dry (Parthian, 2007) and am enthralled by it like by the other two titles. In the meantime, I have discovered that Jones has also published two other novels which might be tricky to get since they seem to be out of print, but I am patient and persistent, and eventually, I intend to write a longer piece about his work. Literary discoveries get seldom better than this. I am a fan for life.

Station ElevenEmily St. John Mandel’s Station Eleven (Picador, 2014) was sent to me for reviewing. Also a writer to watch out for. The novel is speculative fiction at its finest and belongs with the Atwoods & Le Guins of the literary world. It is a genre which has always appealed to me and I hope to write in it myself one day. Station Eleven tells the story of a handful of survivors of a lethal flu which wipes out most of the human race. Disturbing and touching at the same time, it contemplates the big questions in life while telling a gripping story.

The Night WatchmanRichard Zimler has been a friend since we first corresponded about The Children’s Hours: Stories of Childhood. His work is an inspiration. I have been a fan for years. His latest novel, The Night Watchman (Corsair, 2014), is set in Portugal, but it tells a very familiar story of abuse, power, corruption and the sense of hopelessness we all face in this world when confronted with any of these evils. Zimler never goes for easy answers. His stories are nuanced, beautifully written (he is a master of dialogue) and always full of life’s wisdoms. It is an honour to know and to read him.

D&DTokoloshe SongTwo local friends, Alex Smith and her partner, Andrew Salomon, have published novels last year with Umuzi (again, gorgeous covers): Devilskein and Dearlove, Tokoloshe Song. Both are fantasy novels, very different though, but equally entertaining. Most days I am not a fantasy fan, but when it is done well, like these two heart-warming and enchanting books, even a non-believer’s heart melts. I loved the characters, their unusual universes filled with magic and wonder, and their stories which kept me spell-bound. I might convert after all!

Devil's HarvestAnd speaking of the devil, Andrew Brown’s Devil’s Harvest (Zebra Press, 2014) is not an easy read. Heart-wrenching and honest, it tells the story of a British botanist and a Sudanese woman who is a survivor of a genocide. The story of their journey through South Sudan is one of those that had to be written and has to be read. Brown did an excellent job at making sure that it is not forgotten. This was my first of his novels, and certainly not the last. Something to look forward to in 2015!

OctoberAn accidental encounter on twitter, of all places, revealed that I share a publisher with Réney Warrington. October (Protea Book House, 2013) is a subtle love story of how two damaged women struggle through emotional numbness to find a way back to life. The photographer Jo is shell-shocked by the divorce of her parents and her sister’s homophobia. When she meets the famous pop singer Leigh who has to overcome a serious illness and a troubled past, Jo does not expect to ever heal again. Despite serious doubts, they decide to give their relationship at least a fleeting chance…
Warrington is also a photographer and October includes a few startling images that poignantly illustrate the narrative.

This DayAnother twitter encounter resulted in my reading this meticulously crafted novel about a day in the life of a grieving woman. Having lived through the worst imaginable ordeal for a parent, Ella now has to take care of her husband who is suffering from severe depression. As each heart-breaking day dawns, she leaves massages in the sand for the sea to wash away. It is in the water that she also confronts her deepest hopes and worst fears. Poetic, full of insights, and simply beautiful, Tiah Beautement’s This Day (Modjaji Books, 2014) is an remarkable achievement.

Please let me know:
1) which books have made such an impact on you in the second half of 2014 that you wanted to share them with others?
2) which of the titles I’ve mentioned above you would be interested in reading yourself?
From your comments, I’ll draw one name at the beginning of February 2015 and send you the book you have chosen from the list of my favourite titles.
(Just to clarify, it seems this wasn’t clear: The winner will get a brand-new copy of the book they chose from my list.)

Book mark: Tokoloshe Song by Andrew Salomon

Tokoloshe SongJust when he thought that his life is going to be all peace and quiet after giving up a career as a lawyer to restore old boats, Richard is called in for an emergency at the shelter for mistreated tokoloshes where he volunteers. There he meets Lun. After a false start, they become friends and embark on a roller-coaster adventure which takes them across the country to Nieu Bethesda and back in search of the grain of truth at the heart of an ancient myth. They receive assistance from Emily and Sindiwe, midwives of a secret order. Hot on their heels are a ruthless drug lord and a world-class assassin.
I’m not a fantasy fan, but I have enjoyed some of Salomon’s award-winning short fiction. Tokoloshe Song is his debut novel for adults and is as delightful and entertaining as his stories.

Tokoloshe Song
by Andrew Salomon
Umuzi, 2014

The Image of a Pie: Reflections on Open Book 2014

Niq Mhlongo, Chris Beukes, Malaika wa Azania and Natalie Denton
I cried twice. No matter how much I tried to control myself, the tears kept coming and I was grateful for the pack of tissues I had in my handbag. I should have started shedding tears at the beginning of the event, when the woman who is our national treasure, Sindiwe Magona, noticed that we were only a few people in the audience while the whole of South Africa should have been attending. But it was only when Sixolile Mbalo, the soft-spoken, beautiful author of Dear Bullet, Or A Letter to My Shooter (2014), pointed to herself with her most articulate hands and used the possessive pronoun “my” to refer to the man who raped, shot, and left her for dead, that the dam of anguish broke inside me. In my own personal reality I speak of “my friend”, “my brother”, “my husband”. To have to survive a reality where a rapist is internalised into “my rapist” is nearly unbearable to think of, and yet, as Ekow Duker, the third panellist of the Open Book Festival event presented by Rape Crisis, mentioned, “We get more upset when our soccer team loses than when a woman is raped.” That is the reality Mbalo lives, and courageously survives, every single day of her life. All of us should take note and salute her. Any moment, her fate could become that of “our friend”, “our sister”, or “our wife”.

“Women are ghost heroes in our struggle.” – Niq Mhlongo

This year’s Open Book unfolded over five days from 17 to 21 September in Cape Town. It was filled with insight and inspiration. Apart from the moment described above, laughter dominated. The second time I shed tears, they were also an expression of joy. Speaking about her touching Good Morning, Mr Mandela (2014), Zelda la Grange told Marianne Thamm that Madiba destroyed all her defences just by holding her hand when they met. La Grange’s life bears testimony to one of Thamm’s remarks: “Mandela made us better people; that’s what good leaders do.” The conversation between these two powerhouse women was undoubtedly a highlight of the festival. Judging by the faces and comments of people present at the event, most felt its magic.

“Let it all come out and let us talk about it.” – Mandla Langa

Sixolile Mbalo’s and Zelda la Grange’s life stories capture the immense span of the spectrum of South African everyday experience. And it is essential for our humanity to pay as much attention to the one story as to the other, even though it is in our nature to gravitate towards happiness and success.

“Memory is always a fiction we tell ourselves.” – Rachel Zadok

Continue reading: LitNet.

Jonny Steinberg, Mervyn Sloman and Mark Gevisser
Niq Mhlongo, Geoff Dyer and Zukiswa Wanner
Raymon E Feist, Deon Meyer and Andrew Salomon
Zelda la Grange and Marianne Thamm

Four stories from Touch longlisted for TWENTY IN 20

TouchI am delighted to announce that the following four short stories from Touch: Stories of Contact by South African Writers have been included on the 50-titles strong longlist for the TWENTY IN 20 project which aims to publish an anthology of the best twenty South African short stories written in English during the past two decades of democracy:

“File Under: Touch (Avoidance of, Writers); Love (Avoidance of, Writers). (1000 words)” by Imraan Coovadia
“Threesome” by Emma van der Vliet
“Salt” by Susan Mann
“The Crossing” by Damon Galgut

Other Touch authors are also on the list, but with different stories:

Byron Loker with “New Swell” from his debut collection by the same title (2006)
Ivan Vladislavić with “The WHITES ONLY Bench” from Propaganda by Monuments and Other Stories (1996) and “The Loss Library” from The Loss Library and Other Unfinished Stories (2011)
Zoë Wicomb with “Disgrace” from The One That Got Away (2008)
Mary Watson with “Jungfrau” from Moss (2004)
Henrietta Rose-Innes with “Homing” from the collection by the same title (2010) and “Poison” from African Pens: New Writing from Southern Africa (2007)
Alistair Morgan with “Icebergs” from The Paris Review (2007)
Liesl Jobson with “You Pay for the View – Twenty Tips for Super Pics” from Ride the Tortoise (2013)
Nadine Gordimer with “Loot” from the collection Loot and Other Stories (2003)

About Touch: Stories of Contact (2009):

For this unique and impressive anthology, some of South Africa’s top storytellers were invited to interpret the theme of touch. The result is a scintillating collection of twenty-two stories about all kinds of human interaction. There are tales of love lost, and of discovering intimacy. Some describe encounters with strangers, others examine family relationships. Most deal touch in a physical sense; one or two explore the idea of ‘keeping in touch’.
Touch: Stories of Contact brings us work from such established luminaries as André Brink, Nadine Gordimer, Damon Galgut and Ivan Vladislavić, and exciting new voices such as Alistair Morgan and Julia Smuts Louw. Whether poignant or humorous, fictional or autobiographical, these innovative tales remind us of the preciousness of touch and are a testimony to the creative talents of South Africa’s writers.
All the authors have agreed to donate their royalties to the Treatment Action Campaign. Every copy sold therefore contributes to the fight against HIV and AIDS.

Touch Contributors: Emma van der Vliet, Michiel Heyns, Elleke Boehmer, Susan Mann, Willemien Brümmer, Julia Louw, Anne Landsman, Byron Loker, Maureen Isaacson, Ivan Vladislavić, Zoë Wicomb, Imraan Coovadia, Jonny Steinberg, Mary Watson, Henrietta Rose-Innes, Alex Smith, André Brink, Damon Galgut, Alistair Morgan, Liesl Jobson, Nadine Gordimer, Lauren Beukes.

(From the short stories I know, I am also thrilled to see “Where Will He Leave His Shoes” by Karen Jayes, “The Pigeon Fancier” by Sarah Lotz, “Porcupine” by Jane Bennett, “A Visit to Dr Mamba” by Andrew Salomon, among others, on the list – these are the kind of stories you will never forgot after reading.)