Tag Archives: Billy Kahora

The magic of Open Book 2015

Helen MacdonaldSo, who else has fallen in love with Helen Macdonald during Open Book 2015 in Cape Town? H is for Hawk has been on my radar for a while, but I’ve only decided to get the book when I heard about Macdonald’s generous endorsement of Stray: An Anthology of Animal Stories and Poems, edited by Diane Awerbuck and Helen Moffett (all royalties donated to TEARS Animal Rescue). How cool is that? Macdonald showed up at the Open Book Stray Readings and stole my heart reading the passage in which she first saw and fell for Mabel, the goshawk who helped her cope during her time of bereavement. At one of her other Open Book events, Macdonald spoke about how you can’t tame grief and how sometimes you have to do mad things in order to survive it.

This was my first Open Book since André’s death. Last year, we were still mourning Nadine Gordimer – together. We’d thought that we might celebrate the tenth anniversary of our first and only public interview (at Schloss Leopoldskron in Salzburg in 2004) with an event at the festival, but André was recovering from a knee operation and did not feel up to it. We did pay tribute to Nadine: with Margie Orford, Billy Kahora and Imraan Coovadia reading from her work and sharing stories about her influence on their lives and writing. André read from his own work at another event. We attended a few others, gathering memories which all returned to me this year when I was walking around The Fugard Theatre – alone.

At the opening ceremony, Mervyn Sloman said that every year Open Book is infused with magic. How true. “You’re a magician,” someone magical in my life said to me once. Perhaps I can conjure miracles when inspiration and desire strike, but I would like to think of myself as a magician of a different kind, one who can recognise the magic of the everyday. Even when suffocating in the clutches of grief.

with SallyMagic was all over The Book Lounge and The Fugard Theatre during Open Book this year. In the stories I read preparing for the festival (discovering my love for the work of Karen Joy Fowler, Melissa de Villiers and Andrey Kurkov in the process); in the warmth of a friend’s grip around my arms at the opening ceremony; in Karen Joy Fowler’s humour; in the melody Petina Gappah sang during her interview with Lauren Beukes; in a walk in the sun between events; in Stephen Segerman’s and Craig Bartholomew Strydom’s devotion to the Sugar Man story; in Claire Robertson’s mesmerising reading voice; in seeing the first cover designs for the special edition of Flame in the Snow; in Elleke Boehmer’s, Henrietta Rose-Innes’s and Craig Higginson’s inspiring eloquence; in a dim sum lunch, a bubbly and a Glenfiddich shared with friends; in Beverly Rycroft’s moving honesty; in a friend’s sparkling eyes which could have been clouded by loss but weren’t; in the hospitality of Fugard’s Iris who with her colleagues took such great care of all of us; and, last but not least, in S.J. Naudé’s careful thoughts about our craft – the magic and beauty of it all.

with KarenI loved chairing the three events I was asked to. I loved seeing old friends and meeting new ones. I loved interacting with writers whose work has meant so much to me over the years. I loved buying books and talking about literature with people who care. I loved being asked to sign my novel. I loved feeling that I was close to returning to my own creative writing. I loved every single memory from the past. I loved making new ones.

Thank you, Mervyn, Frankie and all the other magicians at The Book Lounge.

You can’t tame grief. Grief is this creature that moves into your home when death strikes. It lurks, ready to pounce at all times, especially when you least expect it. It never leaves again. You can’t tame it, but you can tame the way you react to it. And live. And experience joy again, in a story and in your life. And smile. And appreciate the magic. That moment.
with Andrey and Andrew

(Photos: Books Live and PEN SA)

Review: The Gonjon Pin and Other Stories – The Caine Prize for African Writing 2014

The Gonjon PinThe Caine Prize for African Writing has a reputation of launching literary careers. Previous winners include Helon Habila, NoViolet Bulawayo, and Henrietta Innes-Rose. The Caine Prize collections of stories comprise each year’s shortlisted entries and pieces written during a workshop organised in conjunction with the prize.

By nature an anthology of short stories is usually a mixed bag. This year’s volume, apart from some excellent exceptions, is not particularly accomplished. Reading most of the contributions one senses amazing talent and potential, but the stories, even two or three of the shortlisted ones, feel unfinished. They intrigue, but do not wow despite varied themes, innovative approaches to form and content, and moments of stylistic beauty. All the elements of great short-story writing are present, but they hardly ever feature together in one piece.

African writing has a certain reputation, on the continent and beyond. Depending on individual tastes, readers either fear or count on stories of socio-political relevance, everyday hardship and disillusionment, the diaspora experience, violence and abuse, the HIV pandemic, neglect or instability. There is a prevalent feeling of ‘things falling apart’. The Gonjon Pin and Other Stories includes all of the above and in that sense does not disappoint.

The shortlisted stories stand out for their originality. In Diane Awerbuck’s Phosphorescence (South Africa), a suicidal young woman bonds with her daring grandmother over the bulldozing of a city landmark. While following the election back home on television, a Zimbabwean family tries to negotiate between a quarrelling couple in Tendai Huchu’s The Intervention (Zimbabwe). Billy Kahora’s protagonist develops an uncanny relationship to a zoo gorilla in The Gorilla’s Apprentice (Kenya). And in the winning entry, My Father’s Head by Okwiri Oduor (Nigeria), a woman tries to conjure up her dead father by drawing him, but his head refuses to fit into her sketches.

The shortlisted story which impressed me the most, however, was Efemia Chela’s Chicken (Ghana/Zambia). A young writer of remarkable assurance, Chela has that rare gift of making you pause again and again to appreciate a striking image or a perfectly balanced sentence while never allowing you to take your mind off the story she is telling. Chicken is about a woman who cuts the ties to her family and tries to survive on her own in the big city by making some tough choices.

Of the twelve workshop stories, the titular The Gonjon Pin by Martin Egblewogbe (Ghana) and The Lifebloom Gift by Abdul Adan (Somalia/Kenya) were a true discovery. Reminiscent of the mad and irresistible story-telling of such authors as the Israeli Etgar Keret or the Welsh Alex Burrett, these surreal tales made me sit up, laugh, shake my head, and marvel at the incredible power of the genre. Egblewogbe has his characters dealing with a man’s functioning genitals hanging on a study wall. Adan creates a world where an unusual man spreads cult love by stimulating people’s moles. It is gems like these that make reading anthologies worthwhile.

The Gonjon Pin and Other Stories: The Caine Prize for African Writing 2014
Jacana/New Internationalist, 2014

First published in the Cape Times, 10 October 2014.

The Image of a Pie: Reflections on Open Book 2014

Niq Mhlongo, Chris Beukes, Malaika wa Azania and Natalie Denton
I cried twice. No matter how much I tried to control myself, the tears kept coming and I was grateful for the pack of tissues I had in my handbag. I should have started shedding tears at the beginning of the event, when the woman who is our national treasure, Sindiwe Magona, noticed that we were only a few people in the audience while the whole of South Africa should have been attending. But it was only when Sixolile Mbalo, the soft-spoken, beautiful author of Dear Bullet, Or A Letter to My Shooter (2014), pointed to herself with her most articulate hands and used the possessive pronoun “my” to refer to the man who raped, shot, and left her for dead, that the dam of anguish broke inside me. In my own personal reality I speak of “my friend”, “my brother”, “my husband”. To have to survive a reality where a rapist is internalised into “my rapist” is nearly unbearable to think of, and yet, as Ekow Duker, the third panellist of the Open Book Festival event presented by Rape Crisis, mentioned, “We get more upset when our soccer team loses than when a woman is raped.” That is the reality Mbalo lives, and courageously survives, every single day of her life. All of us should take note and salute her. Any moment, her fate could become that of “our friend”, “our sister”, or “our wife”.

“Women are ghost heroes in our struggle.” – Niq Mhlongo

This year’s Open Book unfolded over five days from 17 to 21 September in Cape Town. It was filled with insight and inspiration. Apart from the moment described above, laughter dominated. The second time I shed tears, they were also an expression of joy. Speaking about her touching Good Morning, Mr Mandela (2014), Zelda la Grange told Marianne Thamm that Madiba destroyed all her defences just by holding her hand when they met. La Grange’s life bears testimony to one of Thamm’s remarks: “Mandela made us better people; that’s what good leaders do.” The conversation between these two powerhouse women was undoubtedly a highlight of the festival. Judging by the faces and comments of people present at the event, most felt its magic.

“Let it all come out and let us talk about it.” – Mandla Langa

Sixolile Mbalo’s and Zelda la Grange’s life stories capture the immense span of the spectrum of South African everyday experience. And it is essential for our humanity to pay as much attention to the one story as to the other, even though it is in our nature to gravitate towards happiness and success.

“Memory is always a fiction we tell ourselves.” – Rachel Zadok

Continue reading: LitNet.

Jonny Steinberg, Mervyn Sloman and Mark Gevisser
Niq Mhlongo, Geoff Dyer and Zukiswa Wanner
Raymon E Feist, Deon Meyer and Andrew Salomon
Zelda la Grange and Marianne Thamm

Open Book Festival 2014

Between 17 and 21 September the literary community in Cape Town will gather for the fourth Open Book Festival.
Open Book
In past years, apart from attending as a passionate reader, I have had the pleasure of interviewing some of my favourite authors at Open Book: Craig Higginson, Rachel Zadok, and Kgebetli Moele among them.

This year, I am in for another treat: I’ll be talking to Andrew Brown, Ekow Duker and Jonny Steinberg about the impact that the content of their books has on them (OFF THE PAGE, Friday 19 September, 4-5pm, Fugard Studio).

The day before, I’ll be chairing Open Book’s TRIBUTE TO NADINE GORDIMER with Imraan Coovadia, Billy Kahora and Margie Orford who will read from Nadine Gordimer’s work and share stories about her influence on their creative lives (Thursday, 18 September, 2-3pm, Fugard Theatre).

And last but not least, I’ll be the ‘little rat’ (=szczurek) next to two literary greats: Michiel Heyns and Damon Galgut. Our session – WRITING SEXUALITY – will be chaired by Karin Schimke (Wednesday, 17 September, 2-3pm, Fugard Studio).
Emma-van-der-Vliet-and-Patrick-DeWitt
For the full festival programme click here: Open Book 2014.
Imraan-Coovadia-and-Sarah-Lotz
Photographs: Open Book 2013.