Tag Archives: painting

Book review: Let Me Tell You About a Man I Knew by Susan Fletcher

Susan FletcherI welcome every Susan Fletcher novel with open arms. Let Me Tell You About a Man I Knew is her sixth. It completely delivers on the promise of its predecessors. Set in the Provencal town of Saint-Rémy where Vincent van Gogh spent a year of his life in an asylum and painted some of his most widely recognised works, the novel tells the story of a local woman whose life is disrupted by the arrival of the Dutch painter. Jeanne Trabuc is the wife of the asylum’s warden. In her fifties, a mother of three, she goes about her daily routines, remembering her adventurous youth and watching out for the mistral, “wind of change, of shallow sleep.”

Something about her husband’s latest patient unsettles Jeanne. Her curiosity about the man who is known for having harmed himself and for having appeared naked in public leads Jeanne to break her husband’s rules about not visiting the asylum or engaging with any of its patients. She goes to meet the fascinating stranger and a tentative friendship develops between them. Jeanne makes it possible for Vincent to leave the asylum to paint: “And he walks, Jeanne thinks, as reapers walk back from their trees: a sense of a day’s work done. And does he glance at the white-painted cottage as he goes? Jeanne likes to think he does. A glance, as if in gratitude. This newly untethered bird of blue overalls and gold.” She recognises his talent, believes in his sanity. He in turn reawakens her senses and long forgotten dreams.

Jeanne thinks of her grown-up sons who are making a way in the world for themselves and her friend Laure whose desire for freedom had led her to abandon her husband. She recalls the crippled woman who took care of her when Jeanne’s mother died after giving birth to her. And her loving father whom Jeanne nursed towards the end of his life after he’d suffered a stroke.

As a young woman, Jeanne had “been bold, reckless. Not caring for rules.” She’d once stood half-naked in the yard, “her wet hair, like a wing”, and understood the freedom and power of such exposure. Now, her body ageing, her marriage empty of tenderness, she realises that there is still something that she wants from fate, and it is not what she has, “a little life of washtubs and duty.”

Let Me Tell You About a Man I Knew is a story about change and courage, about breaking silences and not being afraid to reach out for what we expect from the people we share our existence with. Fletcher’s portrayal of Jeanne’s awakening is subtle and profoundly moving.

Fletcher’s prose is mesmerising, seductive. There is no other way of putting it. She paints emotions with sensitive strokes, but in bold colours. As she caresses language, words glow under her pen. Her work is full of light and nuance. Let Me Tell You About a Man I Knew is a joy.

Review first published in the Cape Times, 19 August 2016.

 

The Image of a Pie: Reflections on Open Book 2014

Niq Mhlongo, Chris Beukes, Malaika wa Azania and Natalie Denton
I cried twice. No matter how much I tried to control myself, the tears kept coming and I was grateful for the pack of tissues I had in my handbag. I should have started shedding tears at the beginning of the event, when the woman who is our national treasure, Sindiwe Magona, noticed that we were only a few people in the audience while the whole of South Africa should have been attending. But it was only when Sixolile Mbalo, the soft-spoken, beautiful author of Dear Bullet, Or A Letter to My Shooter (2014), pointed to herself with her most articulate hands and used the possessive pronoun “my” to refer to the man who raped, shot, and left her for dead, that the dam of anguish broke inside me. In my own personal reality I speak of “my friend”, “my brother”, “my husband”. To have to survive a reality where a rapist is internalised into “my rapist” is nearly unbearable to think of, and yet, as Ekow Duker, the third panellist of the Open Book Festival event presented by Rape Crisis, mentioned, “We get more upset when our soccer team loses than when a woman is raped.” That is the reality Mbalo lives, and courageously survives, every single day of her life. All of us should take note and salute her. Any moment, her fate could become that of “our friend”, “our sister”, or “our wife”.

“Women are ghost heroes in our struggle.” – Niq Mhlongo

This year’s Open Book unfolded over five days from 17 to 21 September in Cape Town. It was filled with insight and inspiration. Apart from the moment described above, laughter dominated. The second time I shed tears, they were also an expression of joy. Speaking about her touching Good Morning, Mr Mandela (2014), Zelda la Grange told Marianne Thamm that Madiba destroyed all her defences just by holding her hand when they met. La Grange’s life bears testimony to one of Thamm’s remarks: “Mandela made us better people; that’s what good leaders do.” The conversation between these two powerhouse women was undoubtedly a highlight of the festival. Judging by the faces and comments of people present at the event, most felt its magic.

“Let it all come out and let us talk about it.” – Mandla Langa

Sixolile Mbalo’s and Zelda la Grange’s life stories capture the immense span of the spectrum of South African everyday experience. And it is essential for our humanity to pay as much attention to the one story as to the other, even though it is in our nature to gravitate towards happiness and success.

“Memory is always a fiction we tell ourselves.” – Rachel Zadok

Continue reading: LitNet.

Jonny Steinberg, Mervyn Sloman and Mark Gevisser
Niq Mhlongo, Geoff Dyer and Zukiswa Wanner
Raymon E Feist, Deon Meyer and Andrew Salomon
Zelda la Grange and Marianne Thamm